Arnold Schoenberg Divertimento Pierrot Lunaire Concert Features And Style

Arnold Schoenberg creation vocal divertimento Pierrot Lunaire(Pierrot Lunaire,Op.21) is the 20 th century model of tonal music, with the times, but also a gem of musical literature in the 20 th century. The works of the concert(also can be said to be singing or chanting) is totally different from the traditional bel canto vocal method requirements. Singing with catharsis and strong uncertainty, "singing characteristics and singing style" is unique. The is representative of the first two Moondrunk and Night analysis and research of the Pierrot Lunaire and explore the vocal melody of music and their structural features, as well as divertimento music connotation. Based on the analysis and research of the works, this paper mainly focuses on the understanding of these two works. From the singing characteristics and style of the grasp, how to use appropriate vocal music, as well as through the method and the details of the overall design, in order to better performance of the vocal works.