Chinese Comedy Movie Female Image Has Changed Since The New Period

1979 is an important starting point in the history of China, after the third Plenary Session of the 11 th CPC Central Committee, the opening of the economy brought about the prosperity of culture. Domestic film with a relatively loose social environment to carry out the film's narrative. The writing of female images seems to take care of the women's development process. Throughout China's history of comedy film. Although the image of women boarded the early stage of history, but he's position has not been changed in a long time. Until the new century, "flick" In self germination feminist ideas into the public view has changed only slightly awkward position of women Constructed. In the comedy film, the female image has gone through the process of being viewed, constructed and self written. But the awakening of women's true consciousness in the film is a long and hard way. Although China's feminist movement feminist liberation movement compared to Europe and America, and there is no systematic program and sports. But this does not mean that China's feminist comedy ignored the women of this important role.The Chinese comedy film has been divided into three main parts to study the change of female image.The first chapter, from 1979 to 1996, this period is the beginning of the new era, the film's creative environment has just been out of the confinement in the direction of the development of a relaxed and pleasant. This period comedy film performance particularly well, this paper represented by Peisi Chen as the main research object of the reasons there are two:one is Chen 's comedy movie has an obvious commercial genre tend, wide audience attention degree is high; and secondly, Chen's comedy movies popular female stars often act as a men's subsidiary, is constructed with the obvious meaning.The second chapter, from 1997 to 2008, the interception of this time is from Xiaogang Feng' s first lunar new year comedy "The Dream Factory" to the advent of the first "chick flick" before. Because the film is a continuity, so the time to shoot more than a cross, mainly on behalf of the work and the main direction for the study of the category, more conducive to the accuracy of the paper. Feng is well versed in the business comedy operate, “The same Ge You, the female star constantly changing " speaks of the female image in the film viewed, construction status.The third chapter, from 2009 to the present, the period a "flick" of the sub-type movie. From "Sophies Revenge" to " Women Who Know How to Flirt Are the Luckiest" and other films, are intended to describe the cause of women in the city and emotional life. Women in separate individuals appeared in such films, they are strong and courageous, through their own struggle to achieve self-worth and growth of the Chinese female comedy film image transformation it is of great significance.The conclusion part of the paper, summarizes the 1979 the female images in Chinese comedy movie in the development of the road, and made a bold vision of female image metamorphosis is unstoppable, women will get rid of "peep" fate, to mature, independent attitude in China's comedy on the screen.