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Feng Xiaogang's Film Analysis Research Of Female Image

Posted on:2019-07-28Degree:MasterType:Thesis
Country:ChinaCandidate:Y Z ZhaoFull Text:PDF
GTID:2405330572963326Subject:Theater, film and television
Abstract/Summary:PDF Full Text Request
Feng Xiaogang is one of the most appeal film directors in the Chinese film industry.He is also an important weather vane for domestic films since the 21 st century.He has created his own box office miracle with his unique creative perspective and highly personal style post-modern comedy elements.The grasp and interpretation of the social form and the mass discourse are in line with traditional Chinese values,skilled commercialization,and ensure that the box office takes into account the humanistic and artistic nature of the film.The film is a mirror for the interpretation of the social structure and culture of the times.In the 17 films directed by Feng Xiaogang,the social attributes of the film are reflected in the emotional interpretation of men and women.Both men and women are themselves a pair of original contradictions.The sublimation of emotion is realized in the state of sex or in the conflict of opposite drama.The image of women in these films is not the same as the role of the family,but it has a real texture from reality.Director Feng Xiaogang interspersed the two mirrors of film and reality.
Keywords/Search Tags:Feng Xiaogang's film, female image, subject consciousness, critical analysis
PDF Full Text Request
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