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The Influence Of German New Expressionism Painting On My Personal Creation

Posted on:2018-05-11Degree:MasterType:Thesis
Country:ChinaCandidate:L ShangFull Text:PDF
GTID:2335330512484144Subject:Art
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This paper first talk about the rise of the new German expressionist painting history,Germany was a Nazi rule and the brutality of war baptism,so in the New Expressionism,with the continuation of tradition,the trauma of the war,the post-war colonial culture influence,reflection and so on various aspects of the background and factors.The second is the study of the representative figures of the new German Expressionism,the historical background of these artists to reflect the performance of the painting techniques and themes,personal creation has a certain inspiration.At last,this paper makes a tentative discussion on the diversification of the performance techniques into individual creation.To Xiaolang,proposed in the "art grand" in the book,and gradually toward the edge of American culture in painting while dominant complex background has such strong vitality and independence also illustrates the cultural roots of the rich and powerful.Mr.Liu Yumin had a deep research on the German expressionist art,he wrote the "Twentieth Century German art" Paul Fugate’s works.He hoped that German Expressionism can take root in China,thereby affecting the performance of a new generation of Chinese painting.In the middle part,through the study of the representative works of the artist,taking into account the factors such as the background of the time and the surrounding environment,the author makes a comprehensive interpretation of the concept of a master to his works.The purpose of this paper is to explore the expression form of the German Neo expressionism painting in art,to integrate the local cultural resources,and the influence of individual creation and practice.It is concluded that the new German Expressionism has the historical background and the western culture of Germany,but it can be used for reference.So as the creation of Chinese painting,it is necessary to combine the local culture to carry out,such as the integration of Taoist Yin and yang.Whether the vitality of painting is lasting,is not the source of it,in that form,but whether he has an independent spirit.
Keywords/Search Tags:Inheritance, change, performance, integration
PDF Full Text Request
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