A Study On Acrobatic Artistic Inheritance And Change Of Village

Acrobatics is arguably the most primitive art form in our country, it has a historyof more than two thousand years. In the long development process, from the palace tofolk acrobatics show place, and in the Ming and Qing dynasties to the river’sLake.After the founding of new China, the importance is given to the folk acrobaticsand had further development. Lu Zhuang once selected in this article is based onacrobatic village of ways of making a living, acrobatics as the village’s iconic culture,this art form has experienced by the boom in Lu Zhuang to die. Acrobatics in beforeliberation is a means of as the breadwinner in Lu Zhuang, in the later the process ofdevelopment, constantly under the influence of national discourse, have started tochange, acrobatics organization set up in the village artist disappeared, a large numberof artists to be transferred to acrobatic troupe work all over the country. Since China’sreform and opening up, along with the modern economic impact on rural society,acrobatics art form in the folk faced with the plight of lost. In LuXi area Lu Zhuang asthe examples, this article inspects acrobatics in People’s Daily life and inner logic, andon the basis of deepening the acrobatics inheritance and reconstruction of rural societyin contemporary understanding and interpretation. Article besides attention acrobatics,also from the overall focus on changing rural traditional under different fate, andattempts to arouse people to local traditional care and attention.The article is divided into five parts:The introduction part introduces the origin of the topic and significance, and thevillagers about art and villages in a review of the academic history context, establishresearch purpose and research methods. A review of academic history, trying to froma macro and theoretical support and research significance of this article.Description of the first chapter is about Lu Zhuang village context, including dailylife space of the village, the family, at the age of festivals, such as the spirituallife.Tried to base on villagers routine of life, on the basis of the village folk will reveal the cultural character of the village.This chapter describes village internal form, notonly constitutes the context of acrobatic village text, and relationship with theformation of intertextuality.The second chapter is about the Lu Zhuang’s acrobatics overview of inheritanceand change, including acrobatics Lu Zhuang acrobatics of time, and each period ofvarious forms.This article focuses on the alienation of acrobatics in every period, andthe effects of this change on villagers’ daily life.The third chapter is about the relationship between acrobatics to interact with locallife, and the acrobatics in the company the whole piece in the local community,looking for acrobatics rather than rural life of interaction and cultural identity. Thepurpose of this chapter is to understand acrobatic functions and cultural significancein the villagers.The universality of the fourth chapter is triggered by Lu Zhuang acrobaticthinking, including evening acrobatic industry and traditional care to the localcommunity. Acrobatics has a wealth of experience and emotional experience body,once of people to play the role of a link in the daily life, but as this is not a identityacrobatics spirit value, acrobatics industry towards the evening. Today, acrobatics,local opera, such traditional local art generally faced with the crisis, this chapterfocuses on the importance of local traditional protection and urgency.The epilogue. Acrobatics in the country of the inheritance and change constantly,the traditional rural life under the influence of the urban modernization ofdisintegration and reconstruction. On the back of the local traditional aphasia caused aseries of social problems, from urban to rural people there is a widespreadrelationships are thin and the problem of a single conversation. How to protect thelocal traditional become a difficult problem in front of us.