Review Yue Opera From Living Aesthetics

Where should Yue Opera go,carrying its own history?This is not a value-neutral research under the positivist propositions,while it is an essential quest for the fate of Yue Opera which should be undertaken actively.In this questioning,the confused modern metaphysics should be broken for going beyond the general position in terms of economy,politics and society,and viewing Yue Opera from the ontological aspect.The study on Yue Opera in contemporary aesthetic context means reexamining various arguments of Yue Opera that have raised under the traditional metaphysics aesthetic horizon within the vision of Performing Living Aesthetic.Viewing Yue Opera from the direction of existentialism unifies the the separation of beauty and human existence which is defined by the direction of epistemology.Restoring the static Yue Opera,since it is tangible and is solidified in the artistic activity,to the dynamic thing("to be"of the artistic work)which is unified with the art.As for the artistry of Yue Opera itself,the presentation of the perceptual images comprehended from the survival sensation is the artistic world.It presents the unique Chinese life experience.The interpretation of secular life,especially domestic life,through Yue Opera which goes beyond the pattern of "scholar and beauty" manifests Chinese worldly wisdom.In the illumination of the perceptual forms of these sentiments,the unique,beautiful and feminine aesthetic spirit and the artistic style of Yue Opera could be felt.This contains the power that advanced towards the ideal life,the exploration and narration of women’s own life experience,and the rich possibilities blooming in the process of human’s formation.In terms of the survival status of Yue Opera,this thesis criticizes and clarifies various problems and controversies on it.Viewing from the level of existentialism,the plight of Yue opera as a traditional art at present is also that of Chinese people encountered in their own life,which is separated from their own perceptual cultural spirit,whose value and meaning of life become vacuum.At the same time,Yue Opera’s innovation and development is also the self-salvation that Chinese people are seeking in their process of alienation.In addition,the identification of the survival of Yue Opera is also the recognition of the responsibility of art criticism..This thesis consists of three chapters.The first chapter is the aestheticization of daily life about Yue Opera.The second chapter is perceptual forms which formed in the way of the aestheticization of daily life about Yue Opera.The third chapter is Yue Opera as the aesthetic life go back to daily life.