Contemporary Ink Ifgure Painting Of Grassland

Contemporary ink figure painting has a prairie grassland culturefoundation in deep, occupy an important position in the national culture andart development, is an important achievement of the development processChinese ink figure painting in the art of. The whole research throughdevelopment of contemporary ink figure painting, grassland, creating context,aesthetic ideas and other aspects of the application, and, from the ontology ofart skill style performance level, art features a nuanced analysis of the artistsworks of art, native language, summarizes the contemporary ink painting artof grassland overall characteristics and development path. And further fromthe prairie ink figure painting artists, understand the humanistic connotation,painting ink wonders and artist "arbitrarily shaped" phase harmonicrelationship, analysis of a unified mechanism works life style and the painter’ssubjective emotion.This paper mainly painting prairie ink figure in twentieth Century fortyin the mid-1990s as research content. In contemporary painting influentialpainter group as the important evidence, according to the artist individualartistic style, the language of painting, aesthetic charm, show differentpainting style, and through the exploration and practice of the painterontology language group art, current situation of the development ofcontemporary ink figure painting in the grassland, as well as in the philosophyof art, painting language in terms of development and innovation. The articleis divided into five parts, the first chapter from the cultural origin, grasslandpainting with rich grassland culture, then set the prairie culture connotationand artistic characteristics; the second chapter first introduces the prairie inkfigure painting artists, namely humanities foundation it. Contemporaryductility second inquiry line and other art; the third chapter from the transformation of the traditional concept of painting, to the prairie ink figurepainting to contemporary art concept of social and aesthetic values, mainly bythe painter Lu Chen painting in philosophy and art language practicedevelopment, discusses the exploration of Grassland Painting to thedevelopment of modern art. Different artists and artistic pursuit in themulticultural perspective, work presents multi style; the fourth chapterdiscusses the innovation of grassland painting pen and ink language skillsfrom the body language; the fifth chapter from the creative process of paintingperspective painters of the humanities, and the shape of the character ofgrassland characters.