| 1949 to 1979,is the world’s cold war pattern formation and struggle of the most intense stage.In China,Hong Kong SAR and Taiwan region have adopted a policy of blockade on the mainland,making the link between the three places temporarily cut off,forming the mainland was isolated,only Hong Kong and Taiwan to communicate the situation.This article mainly discusses the background of Hong Kong,Taiwan,the two films in politics,industry and aesthetics on the exchange and interaction of the law:In the first chapter,we mainly discuss the political environment and film policy of the two places between 1949 and 1979.Mainly focusing on the depth and breadth of political consensus between Hong Kong and Taiwan in different years,and a brief analysis of the impact of film policy in Hong Kong and Taiwan on both sides.The second chapter explores the interaction between Hong Kong and Taiwan’s film industry.Mainly combing Hong Kong and Taiwan in the industry start-up period,the development period and the prosperity of the interaction,focusing on Hong Kong,Taiwan,two representative film companies such as Shaw Brothers(Hong Kong)Film Co.Ltd.,Golden Harvest Film Company of Taiwan Film Industry To influence.The third chapter examines the aesthetic interaction between Hong Kong and Taiwan.This paper briefly analyzes the development of the film types such as the new martial arts films,the anti-Japanese war films,the Huangmei tune film and the Qiongyao film,and analyzes the similarities and differences between the types of films after the localization substitution.This paper will use the theory of geopolitical theory,industrial theory,cultural identity / identity theory,intertextual theory and other theoretical basis and research methods,Hong Kong,Taiwan in 1949 to 1979,the interaction between the film exchange from the perspective of film history. |
