Study On The Inheritance And Development Of Peasant Painting In Qiandongnan Prefecture

Peasant painting in southeastern Guizhou is an important part of folk art in Guizhou Province.It is a new type of folk painting which combines local unique folk art elements such as embroidery,batik,silver ornament,paper-cut and is rooted in the construction of local folk culture.It is the real embodiment of the aesthetic taste of the local minority compatriots,as well as the new interpretation of the traditional culture and folk art by folk painters.Peasant paintings in Qiandongnan Prefecture have created brilliance in the early 1990 s,and local peasant paintings have been sold overseas,which has certain artistic value.However,in recent years,due to the lack of brand building and market promotion of local peasant paintings,the original sales market has reached saturation,resulting in poor sales situation,resulting in the inheritance and development of local peasant paintings facing a greater crisis.The original intention of this article is to find out the root cause of the decline of peasant paintings in southeastern Guizhou through a large number of literature reading and folk investigation,and try to contribute a little to the development of peasant paintings in his hometown through his own research.However,as far as the current research situation is concerned,there are relatively few related works and articles on the theme of peasant paintings in southeastern Guizhou,and they are limited to the study of artistic characteristics and cultural level.Therefore,this paper will focus on "inheritance" and "development",trying to make people understand the artistic charm and artistic value of peasant paintings in southeastern Guizhou through the analysis of their artistic characteristics,historical formation,and cultural connotations.At the same time,through on-the-spot research,literature research and market research,this paper focuses on the analysis of the current difficulties faced by farmers' paintings in southeastern Guizhou,looking for the specific reasons for the local farmers' paintings from prosperity to decline.And hope that through their own research,for the inheritance and development of peasant paintings in Qiandongnan Prefecture can provide reference programs and suggestions.The full text is divided into four parts.The first part,from the general situation of Qiandongnan Prefecture,the definition of peasant paintings,and the development process of peasant paintings in Qiandongnan Prefecture,discusses the general situation of peasant paintings in Qiandongnan Prefecture.This paper analyses the geographical environment,history,culture and other factors,and the interaction between the formation and development of peasant paintings in southeastern Guizhou.The second part,using the knowledge of art that I have mastered,focuses on the analysis of the creation theme and the formation of creative thinking of peasant paintings in Qiandongnan Prefecture,and introduces the drawing methods of peasant paintings in Qiandongnan Prefecture.The third part discusses and analyses the artistic characteristics of peasant paintings in southeastern Guizhou from three aspects of color,composition and shape,and combines the knowledge of Ethnology and aesthetics to analyze the cultural connotation and artistic charm of peasant paintings in southeastern Guizhou.The fourth part is the focus of this study,mainly from the southeast of Guizhou peasant painting "inheritance" and "development" two aspects of research and analysis.In the "inheritance" part,mainly through on-the-spot investigation and literature analysis,this paper discusses the inheritance significance and inheritance value of peasant paintings in Qiandongnan Prefecture,and analyses the specific reasons for the decline of local peasant paintings from prosperity.In the part of "development",through market investigation and professional knowledge,combined with the successful experience of local folk art transforming into tourism commodities,the author expounds his views and suggestions on the development of peasant paintings in southeastern Guizhou from the aspects of innovation of peasant painting skills,transformation of art forms,construction of artists and integration with tourism.