The Aesthetic Study Of Nanyang Portrayals In Han Dynasty

As a part of Chinese ancient art,The Portrayals in Han Dynasty are stone materials in Funeral Art.The portrayal of Nanyang bears the aesthetic sense of people of Nanyang in the Han Dynasty.This paper tries to find out the change process of people ’s aesthetic consciousness in the Han Dynasty by using the methods of aesthetics,art theory,iconography,history,macro analysis and case analysis in Nanyang.In the first chapter of this study,through the study of Journals review and research status,choosing the main research materials which are the chronological Portrayal tombs,determining the research methods of aesthetic consciousness,in order to find the aesthetic evolution in history.The second chapter discusses the causes of portrayal tombs by the perspective of folk belief and explains the aesthetic significance through the perspective of the ancient etiquette.The third chapter mainly having the Comprehensive exposition about the Nanyang portrayals.At first,analyse the cultural form of Nanyang,the distribution,classification,and the special themes in Nanyang portrayals.Divides two stages in tombs,and study the content and theme.At last,analyzes the composition characteristics,carving techniques and aesthetic style of Nanyang’s portrayals.The fourth chapter,according to the research results of the portrayal tomb stage,research the early portrayal tombs.with Zhen Zhi Chang Tomb,is the representative of the late Western Han Dynasty chivalrous to show the aesthetic consciousness,and many of the Chang’e portrayal tombs represent a romantic pursuit of aesthetics in the divination times.The fifth chapter,taking the Xuaqu portrayal as an example,in the late tombs.analysis of the characteristics of its aesthetic consciousness,and points out its deep beauty,with Xing Zhuang tomb as an example,to show the beauty of life is the pursuit of life.In the conclusion part summarizes the rheological process of aesthetic consciousness from the Nanyang portrayals,which is that with the good faith as the beauty of ethical aesthetic consciousness to aesthetic consciousness which as the representative of Chang’e,the beauty of aesthetic consciousness in deep and true to life aesthetics.Finally,the author summarizes the cultural characteristics and Enlightenment of the aesthetic heritage.