A Study On Composing Techniques Of Planck's Story Of Little Elephant,Babar

The music works of Francis Planck(Francis Poulenc,1989-1963)is known to the world for "The length of moderate,simple structure,simple and efficient".His music style was made on the basis of the French traditional music culture "frank and elegant",inherited the known as the French "new spiritual leader Eric Sarti(Erik Satie,1866-1925)advocated" texture concise,simple melody style,and more in line with the French "new spirit" advocated by the "people need to be a simple structure,moderate length,Firestone daily music" thought.This paper selects the composer during the written 1940-1945,performing in fairy tales for Piano and singing the theme of the "recitative Babar story" as the research object.On the one hand from the modern music conception and the title of this song used to illustrate the notation and contains text profiles;on the other hand,from the chord material and harmony and combination of sound block to further elaborate the characteristics of harmony and composition.First of all,through the traditional three degrees of superimposed chord,non-three-degree superimposed chord and complex chord to explain the characteristics of the chord material in three aspects.Secondly,the characteristics of harmony from two degrees,four degrees continuous and parallel and chromatic scale analysis;sound block finally according to the change of the interval properties and theme materials formed by the scene to explain.Starting from the characteristics of melody and the thinking of tonality,this paper makes a further study of the composition techniques of the works.In combination with the above,and through the combination of graphics and text to explore the "little Ba Baba's story" composition techniques.