Nan Fan Thought Of Literary Criticism

As a famous contemporary Chinese literary critic,Nan Fan not only has a sinology foundation of ancient Chinese literature search,who is good at Chinese ancient literary theory and some unique ways of thinking about “Chinese problem”;but also with a wide view of western,especially in the western modern and postmodern literary theory reference and application perspective,a critical consciousness and creativity.The knowledge of deep academiccultivation and broad academic vision makes Nan Fan to be the literary criticism of contemporary who has a rare spirit and courage,which makes his literary criticism showing the unique basic characterisitics:paying attention to form of contemplation,aesthetic highlights,linguistic considerations andcultural which achieves the organic integration of internal criticism and external criticism;the application of image thinking,the expression of poetic language and the manifestation of the light of reason promote the dual perspective of criticism and criticism of writers;the pursuit of the freedom of the mind and the establishment of the statute consciousness achieves the critical style of the unity of freedom and convention.The reflective ability of meta theory and the critical view of super literature indicates that Nan Fan has reached the fourth level of literary criticism which Yang Shousen teacher presents,which has great enlightenment significance faced with the current situation of Chinese contemporary literary criticism.The first part of the article,from the source of the criticism of the southern sail and the academic process,is the development course of the criticism of the south sail.The second part from the southern sails the basic features of the literary criticism and its embodiment in practice two aspects,south sail the basic features of literary criticism from three aspects discusses-organic integration of internal and external criticism,literature writer the double perspectives of criticism and criticism of theorists,freedom and criticism of the conventional dialectical unity of style;The third part mainly discusses the value,meaning and its limitations of southern sail literature from the Angle of Chinese contemporary literary criticism.South sail through this paper,the author attempts to literary criticism thought to conduct a comprehensive overall summary,and hope that through this research,to provide a new revelation,a researcher at the Chinese contemporary literary criticism.