The Exploration Of Utilization And Innovation For Accumulated Ink Language In Chinese Landscape Painting

As the main art form of Chinese painting,landscape painting has its unique writing norms and aesthetic interpretation.As the language of Chinese landscape painting,the accumulated ink language plays a very important role in the form and writing state of Chinese landscape painting.It is sure that the accumulated ink language in China landscape painting is an important symbol and features of Chinese landscape painting to its connotation.It has a very rich and magnificent rhythm and soon become the essence of landscape painting ink language.From the history of Chinese landscape painting,the masters of landscape painting spent their whole life to reach for the work of generation and mining in the language of landscape painting,they matched the painting language intothe Chinese humanistic spirit of ancient.Creating a lot of accumulated ink language in Chinese landscape painting,XianGong,Binhong Huang,Keran Li,Youfu Jia are the most influential masters in this part.In my opinions,learning the accumulated ink method in Chinese landscape painting,we should have a good grasp of the ink layers of accumulated essentials.Making the great view of landscape had inherent humanistic spirit and external magnificence.And then we should improve the aesthetic ability of accumulated ink language.Combined the traditional understanding with the changes of the times,giving it new meaning and vitality.Finally it can be a symbol of nature in history.Therefore,this article is divided into five parts: the first chapter is the overview of definition and application for accumulated ink method.The second chapter discusses the procession of accumulated ink method since Sui Dynasty.The third chapter make the masters in landscape painting ink language for example,analyzing the inheritance and innovation of their accumulated ink method.The fourth chapter is based on the inheritance of accumulated ink method,discussing the impact of accumulated ink method in landscape painting and landscape painting theory.The last part is the conclusion of this paper,summarizing the paper and conclusions.It is wanted to be able to discuss the accumulated ink language,finding the new ways to using the accumulated ink language.Make sure keeping the impact and appeal with Chinese traditional in the new world tide.