Investigation And Study Of Shanxi Xinjiang Carved Polychrome Lacquer Culture Industry

Shanxi Xinjiang Carved Polychrome Lacquer belongs to the lacquer craft,because its patterns are similar to cloud,also known as cloud carving.Carved Polychrome Lacquer is a kind of seiko slow do arts and crafts,it is based on plenty of material life and spiritual life,it is truly reflects to a nation in the historical process.In the context of non-material cultural heritage protection,carved rhino as XinJiang region unique cultural resources,has a broad cultural industry development value,under the background of cultural tourism and the protection of intangible,carved rhinoceros culture industry development has the practical feasibility.Cultural tourism development on the basis of the XinJiang region rich in historical and cultural heritage,and at the same time in the development of cultural tourism resources of other culture development,a wide range of cultural industry chain formation system,the establishment of the cultural market to drive the XinJiang area.This article emphatically from the Angle of cultural industry in Shanxi XinJiang pointed out the development of the rhinoceros,stuck between the first combed the XinJiang rhinoceros of the history of development and strict process flow,then based on the relevant knowledge of intangible cultural heritage to explore the living condition of Carved Polychrome Lacquer in contemporary development problems,finally from the perspective of the cultural industry development,the basis of analyzing the development of the industrialization of the stuck between XinJiang rhinoceros,under the government guidance to help,establish scientific stable market environment,to take rhinoceros innovation and development of cultural industry provides a good platform for the market.Enterprise itself should also moderate adjustment direction,combined with the information age,formed its own complete marketing network.And put forward the shaving blade in the process of industrialization,policy factor is the "curing",the market factor is the "industrial base",the creative factors is "the future direction ".I hope these ideas can play a reference role to other parts of the traditional crafts' development.