The Research Of The Court Drama During Emperor Guangxu Year

The development of drama has been prosperous since in Qing Dynasty.The court drama plays an important role from seeking hegemony of Kun Yi cavity and “Flower Ya battle”,to the general entertainment set off by the national opera.It promotes the exchanges and progress of the royal court and folk drama and occupies a very significant position on the history of the whole drama development in Qing Dynasty,which is an integral part of drama at that time,even the history of the whole drama.The second climax of Qing drama is in Chinese Guangxu Dynasty.Ci Xi is keen on Pihuang cavity,which breaks the closure of the palace and folk drama and plays a significant role on the formation of opera and the guide of folk drama.Court drama in court is not only the entertainment,but also an important part of seasons and ceremonies,undertaking the political civilization.Because of Ci Xi's different attitude on drama,the other dramas in Qing Dynasty are also different.The most frequent exchange period of palace drama and folk drama also happens at that time.The court drama in Qing Dynasty is worth studying,including its performance of text and performance form,its clothing and the standardization of its management.This thesis mainly centers on the part of Guangxu Year(from twenty-six copies to forty-eight)in File Integration of Shengping Constitute on Qing Dynasty Palace and does research for the court drama activities at that time,which makes people have further understanding of the court drama in Guangxu Year.The thesis is divided into seven sections,including the court drama's time and place,cavity and play,actors,audience,stage of art form and play effect,which makes the detailed analysis of the court drama inGuangxu Year.The appendix lists the file collection in Guangxu Dynasty,including eunuch's register in the first year of that era,their Cobain register and the noted actors coming into palace in Guangxu Year from nine years to thirty-four years.The first section introduces the general situation of drama in Guangxu Year,including its institute and organization in different times.The second section studies its time and place,mainly including its show time and banned time and the stage inside and outside court.According to recording Diary File,Errand File and so on,the thesis clears up and analyzes these materials.The third section is to analyze and classify the vocal and repertory according to the repertory and the type and change of the vocal listed in Reward Diary File in Guangxu Dynasty.The fourth section focuses on the folk artists.The thesis is to overview the consistence of folk artists in different period based on different times.At the same time,it highlights the classification of folk artists and its disciplines by Register and other references.Also,this thesis studies performing management and management out of the stage following the internal and external study from Reward Diary File and the divergence angle of the literature records.The fifth section focuses on the audience of the drama.The paper is to sort out the audience in court and to analyze the influence of court drama on folk from communication on by Reward Diary File and the textual research of historical data.The sixth section cares about stage form of the drama.This thesis analyzes outfit and stage property and further studies managing systems of Shen Ping Constitute.The last section dedicates to the influence of court drama.This thesis analyzes the interaction between court and folk drama,the influence of Beijing Opera and the status history of drama in Qing Dynasty by Reward Diary File and other references.In general,the Guangxu Dynasty is a special period.This paper is to get further knowledge in drama and its some managing system and to provide certain value to later court drama in Qing Dynasty through sorting out materials and combining different period background of court drama from different periods.