Research On Peking Opera Songs By Shengping Department

Shengpingshu as dramatic institution in the Qing Dynasty,it played a great role in the formation of Beijing Opera.Since Shengpingshu established in the seven years of Emperor Daoguang to Beijing Opera has formed in twenty years,and during reign of Emperor Tongguang,Pihuang tune flourished and the name of "Beijing Opera" was determined,Shengpingshu was an important place to improve the performance and practice of the development of Beijing Opera until the Qing Dynasty perished.The scripts kept in Shengpingshu were very important documents in investigating of the original appearance of Beijing Opera and the Luantan opera drama literature,they were very significance in literary history,cultural history,philology and stylistic.This article is divided into four parts,which are discussed in terms of the scope,the present situation,the formof the script,the content and the thought of the Beijing opera.The introduction part the research object of the paper was clarified,that is"Beijing Opera script" as the representative of theShengpingshu Luantan opera,and the scope of the study was determined,the meaning of "Beijing Opera" was explained.Secondly,collating and summarizing the Shengpingshu and Beijing Opera literature existing achievements in academic circle,and establishing the research method of discussion on the principle of combining the philology and literature history.In the first chapter,the main contents are the establishment of Shengpingshu system and the thriving of the Beijing Opera.Including the evolution of insititution,the performance of Beijing Opera and the adaptation and creation of the Beijing opera.In addition,the birth of Shengpingshu and institutions structures are mainly analyzed,On the basis of these discussions,we continue to comb the process and trend of Beijing opera,with the help of the power and influence of the court,to improve the form of performance,to reform the accompaniment instruments,to enrich the repertoire,and to develop and expand gradually.The Opera Literature development,background and factors are discussed.The second chapter mainly discusses the adaptation and creation of the Peking Opera version of Shengpingshu,and makes a preliminary investigation on the source of the drama in the early stage of Peking Opera.Moreover,through literature review,the Qing opera joined the band accompaniment of Qin gradually mature process.The third chapter analyzes the Shengpingshu opera tune forms,script forms and performance forms.In addition,this part sum ups the characteristics of different tune such as Pihuang,Bangzi,Chuiqiang,Shuban,Nanbangzi,Zadiao etc,analyzes characteristics and functions of four different scripts forms,such as the Zongben,Tigang,chuanguan,Dabtou,and distincts and analyzes the different forms of performance such as Maoerpai,Huachang,Qingchang,Chengying performance.These are based on the historical data of the Qing Imperial Palace,aiming at a more comprehensive understanding of the version characteristics of the the Peking Opera script of the Shengpingshu.In the fourth chapter,Shengpingshu opera's content are the main subject of the discussion.According to the contents of Shengpingshu opera,the story will be divided into the historical drama,love drama and public drama.The sources and changes of various scripts were further analyzed.In addition,this paper further analyze the ideological connotation of the Beijing opera drama,and analyze the moral concept,the civic consciousness and the entertainment spirit of the Beijing opera script.On the fourth chapter,the fifth chapter is elaborated analyzes the characters and language features of the Peking Opera version of the Shengpingshu.The Beijing opera,which is the representative of the popular literature of the Qing Dynasty,has developed into a large faction of Chinese opera-Banqiangti,which is combined with the more free and flexible music forms,such as the Pihuang,Bangzi,Chuiqiang,Shuban,Nanbangzi,Zadiao and so on.The style of the Banqiangti subverts the lyric tradition of the opera series of Kunqiang and Yiqiang and so on.It not only sets up the narrative tradition of Chinese opera,but also enriches the expressions and forms of traditional opera,which is of great significance to the development of the later opera art and is worthy of deep exploration.