Reflection And Research On The Lack Of Personality Of Contemporary Chinese Painting Based On Traditional Perspective

Chinese painting is an example of the Chinese culture,and it is an important part of the traditional culture of the Chinese nation.Therefore,the development of Chinese painting is remarkable in contemporary times.For the development of Chinese painting is to the future is backward or backward,the academic community is also talking about.Big environment to keep a clear,objective,in-depth study of this problem.It is a bit difficult to start directly,but we can do is from a certain direction to study the development of Chinese painting,as the starting point,do evaluation.From the Chinese painting "personality" to study this point of view,is also a good entry point."Personality" is an important factor in the artwork that distinguishes it from another piece of art.With the "personality" only the art of the rich and vitality.Chinese painting "personality" also highlights the richness and vitality of Chinese painting.With the "personality",a painter can stand in the forest of art,a painting can be regarded as a rare treasure.Chinese painting from ancient times so famous,Jin and Tang Dynasties "Gu Lu Zhang Wu",the Northern Song Dynasty Li Cheng,Fan Kuan,the Southern Song Dynasty "Li Liu Ma Xia",and then to the yuan "four" Home "," four kings "," four monks "and so on,teachers to teach,pen and ink essence,leaving the Hongfu art works.Their works have characteristics,"personality",highlighting the Chinese painting as a national cultural example of the infinite charm.In our view,their work is the traditional,is the classic.So we should stand on the shoulder of the traditional giant to examine the development of our contemporary Chinese painting.Look at the contemporary Chinese painting,in the Western realism wave of tapping,the Chinese painting gradually from the freehand,began to draw a specific thing to change.This is not a good thing.Although our technology has a backward place,the need for foreign use,copied over,but the expression of art can not be copied,especially for Chinese painting such a thousand years passed down,with a specific artistic expression Art form is not possible.Chinese painting is different from the Western culture in the shape of the "painting things",it is in the painting behind a person's spiritual experience and sentiment.Once you think about how to draw good things,then the physical level to suppress the spiritual level,then the work itself should contain a higher,more content of the spiritual level will be weakened,or even equal to zero.In contemporary times,although the material level of people has improved,but the level of culture has declined,the painting does not look good has become the "important" standard of Chinese painting,see the painting people no longer pay attention to the meaning of painting.Therefore,the painting of the people to make every effort to draw the image,good-looking,making the wind erosion,only on the surface of the effort,gradually reduced to the painting of the "slave",this painting can only be ornaments,talk about On the artwork.This is why the contemporary painting strokes popular,freehand brushwork one of the reasons.The problem came out,why? Lies in the creator itself."Intention of the first pen",first have the work to express the mood and then write a pen,this work was interesting.This "meaning" is reflected in the creator itself,that is,the expression of the creator's own experience and sentiment,is "personality".Contemporary Chinese painting is the lack of such a "personality",a natural life for the experience and sentiment.Who can blame? Look at it,those who handed down the art treasures,are "lying" in the museum,take a look to buy tickets.Seemingly all over the country are in the ups and downs of art exhibitions,Chinese painting or not into the people's lives,Chinese painting or shelved.Art market is also the investors and collectors of the trading venues,the real people to buy paintings is minimal,the Chinese painting market,the degree of freedom was particularly inadequate.College of education also presents a modal morbidity.College has become a factory to cultivate painting machines,how teachers paint,how students draw,step by step,and do not systematically study the teaching methods of Chinese painting,the results of the students should have the "personality",and that is the real art needs The The community also appeared as a "master class" painting and calligraphy training methods,the purpose of how to quickly let the students fame,the results of training mostly mentor replicas,with their own "personality" has nothing to do.However,the factors that lead to this "personality" deficiency are many and complex,not only external factors,but also internal factors.In the end,painting or painting,the Chinese painting "personality" is also reflected in the expression of "personality",if the creator itself lacks this creative ability,then draw the painting of natural personality is not up.Contemporary,material civilization on the impact of spiritual civilization,to some extent affected the freedom of creation,the face of the interests of the trend,the creator abandoned the essence of Chinese painting,traditional,national things,and to draw those who do not bring their feelings Color,do not have "personality" works,to meet the exhibition,to meet the market.Therefore,how to adhere to the traditional camp of Chinese painting in the new era,to retain the national blood of Chinese painting,carry forward the "personality" of Chinese painting,it is particularly important.