A Study On The Acceptance Of Artistic Kuncan In The Late Qing Dynasty

The art of "the four monks" is an increasingly popular art in the history of Chinese painting,and it is also a popular art case in classical traditional painting and modern landscape painting.Kuncan residual born in the Ming Wanli Prince,the early years for various reasons suddenly cut for the monks,to concentrate on Buddhism and Taoism,after the trip to Nanjing painful study,until the end of the old.Kuncan poor good at landscape,ink high ancient,artistic conception,especially he will be sensitive to mountain stone texture texture,the performance of the light and shadow effects more modern.At the beginning of the Qing Dynasty,the art and personality were remembered,and in the middle of the Qing dynasty there was no relevant record and description until the end of the Qing Dynasty was re-interpreted and accepted,and it was an accepted process of ups and downs.This paper attempts to sort out and summarize its works by accepting the basic research methods of aesthetics,taking the art of disfigurement as the interpretation of the text and the related artists in the late Qing Dynasty and the Republic of China,and using the literature and image analysis method to sort out and summarize their works TheFirst of all,this article from the residual art of this text study,trying to restore the residual painting in his real social status,combing the residual by the "two streams","two stone" to "three monks" to "four monks " And other concepts of the course of change,focusing on " four monks " in the late Qing Dynasty and Republic of China when the high social status of the times.Secondly,the main study of the late Qing Dynasty and the Republic of China painting ecology,from the rise of stone style,the integration of Chinese and Western painting to the depth of the impact of commercial culture,to find out the cultural thought of "incomplete beauty" of the "political correct" In the late Qing Dynasty art re-acceptance phenomenon,to reveal the reason for the change.Once again on the study of the area and audience accepted by the painting,the academic activities of the area before the tragic life and the re-acceptance of the region in the late Qing Dynasty,focusing on the study of Zeng Xi,Xiao Junxian,Zhang Daqian,Huang Binhong,Huang Junbi,Huang Qiuyuan et al.The Artistic Related to the Artistic Works of the Painting Works.Finally,the end of the Qing Dynasty to accept the relevant literature summary list.In the early years of the Republic of China,the rise of Buddhist culture and social thought,but also affected the "four monks" art The rise.Unearthed from the early Qing Dynasty to the Republic of China more than three hundred years of literati aesthetic thinking of the course of change,to prove the reassessment of the times to accept the significance of the times.