Tengzhou Floor King Woodcut New Year Pictures Of Local Chraacteristics Research

In the lengthy course of its development,New Year Painting has gradually adapted to meet the demands of the Chinese both psychologically and practically,making it the unique form of Painting — — New Year Wood-block Painting.As a most important form of New Year Wood-block Painting,Wanglou Village New Year Wood-block Painting of Tengzhou is one of the wonders scattered in the south of Shandong Province,it centers around the life of the natives here thus it is a reflection of the folkways and has enriched our artistic life greatly.Wanglou Village New Year Wood-block Painting has integrated various reflection techniques of numerous folk culture art forms which makes it rich in regional characteristic.Research into the regional art form not only enriches the artistry of Chinese Wood-block Painting but also is great academic significance to the field of New Year Painting.As far as the inheritance and preservation of the intangible cultural heritage is involved,the research is of theoretical and technological importance.This paper briefly introduces the development history of the origin and development of New Year paintings Loumu version of the king New Year paintings.Next to the king Loumu version of New Year paintings living environment are discussed.Describes the formation of Tengzhou's unique geographical environment,cultural environment and a variety of folk art of the king Loumu version New Year paintings generation and development of the regional characteristics and provides the necessary material premise and living space.In order to further study the king Loumu version New Year paintings regional characteristics,the author of the king Loumu version and Dongchangfu woodcut New Year paintings,New Year paintings Gaomi ash and Weixian Bu Yang New Year paintings New Year paintings in the art of language,culture and education functions were compared,summed up the solemn celebration,Wang Lou wood New Year paintings antique roughartistic characteristics.The distinctive harmony Mohist culture ideas and for man and man,man and society and man and nature of the function of education,which is the key chapter of the thesis.Finally,through the investigation of the inheritance of King Loumu New Year paintings were collated edition.Through field visits to the king Loumu version New Year paintings heritage,clarify the basic situation and development of the heritage context New Year paintings record,Wang Loumu version New Year paintings inheritance model and the production process,a comprehensive system of showing the crisis facing the king Loumu version of the original appearance of New Year paintings.To make a systematic analysis and Discussion on the future development direction of the king Loumu version of New Year paintings strive to their own understanding,and opinions and thinking to promote the king Loumu version New Year paintings in today's social existence,and provide theoretical data for research and conservation for future development.