A Study Of Piano On Recomposed Mongolia Folk Songs

As an important part of Chinese nationalities, Mongolia nationality ishonoured as The Nationality of Musical Poem since antiquity.Mongolian folksongs, as the major emotional presentation of people live in Inner Mongolia,fully represent the characteristics of culture on northern grassland.Manymusicians combined the melody of Mongolian folk songs with westerncreative techniques and European traditional harmonic theorem with moderncreative techniques, then they produced some recomposed piano works offolk songs which extraordinarily have characteristics of Mongolianationality.This article will summarize and conclude the recomposed pianoworks for Mongolia nationality’s folk songs, and select the master work ofSiqinchaoketu,<Nuoen Jiya Fantasia>, as an example, it sates the extensionand innovation of writing techniques from these works in traditional folksongs of Mongolia nationality through researching and analysis.The practiceand innovation of the melodist is emphasize <Nuoen Jiya Fantasia> with largescale instrumentation and orchestra in order to make piano works symphonic,which let recomposed piano works of Mongolia nationality develop and getinto a new era, that is the reason why this article chooses this piece of work toanalyze as well.Through the writing and research of this paper,in order to search theinfiltration of the Mongolian traditional folk songs and the creation withmodern techniques. and how to better make the Mongolian traditional musicstyle characteristics reflected in piano playing, From the musical analysis andperformance explanation of <Nuoen Jiya Fantasia>, the author will provideresearching reference for researchers and practical guides for pianoperformance, spread the national culture, improve understanding and usingthe Mongolian piano works in music teaching, and do the best to pass downthe music culture of Mongolia nationality. This article consists of six parts, part one is introduction of Chinese folk songs recomposed piano works, parttwo is introduction of recomposed piano works for Mongolia nationality folksongs, part three is introduction of the author of <Nuoen Jiya Fantasia> and<Nuoen Jiya> folk songs, part four is music analysis of <Nuoen JiyaFantasia>, part five is the technique and style identities of <Nuoen JiyaFantasia> performance, part six is the lineage and significance of recomposedpiano works for Mongolia nationality folk songs.