Research On The Aesthetic Thought Of The Four Artists In Yuan Dynasty And Its Influence On Later Generations

In traditional Chinese painting,landscape painting in Wei and Jin(??)Dynasties began to gradually developing,but main was as background,still attached to figure painting.From Sui and Tang(??)Dynasties to Song Dynasty,landscape painting was rising,Landscape painting in Yuan Dynasty began to Freehand,creating fresh air in China traditional landscape painting,In Ming and Qing Dynasties(??),landscape painting was developing based on Yuan Dynasty,it began to focus on business location and expression artistic conception.As an important turning point in the development of traditional Chinese landscape painting,Yuan Dynasty was occupied a very important historical position in the Chinese painting.Painting landscape pushed an unprecedented historical peak by especially Huang Gongwang,Wu Zhen,Ni Zan and Wang Meng from the Song to Yuan.Though Painters of the Yuan Dynasty lost in political identity and status recognition,painters of lost ownership was forming a dense deep,far-reaching conception of Yuan Dynasty landscape painting style.The"unintentional"painters of the Yuan dynasty has inadvertently created a new art territories.The article will attempt to discuss aesthetics characteristics,respectively from history,art,aesthetics,and philosophy,aspects on the four artists in Yuan Dynasty from more angle of study.I will start to development rheological of Chinese landscape painting and to describe the influence on the four artists in Yuan Dynasty of Sui and Tang Dynasty,and Song Dynasty period.Analysis and describe from the special social background(political,economic,and thought culture aspects)of Yuan Dynasty to art style and aesthetics thought aspects on landscape painting of the four artist in Yuan Dynasty.Finally,discusses the influence and what we should learn of the four artists in Yuan Dynasty.The article is divided into five chapters.The first chapter is the abstract,including the status and issues raised,objectives and scope,the purpose of the study and significance,innovation and key issues to be resolved;The second chapter discusses the history of landscape painting,it was emerged in the Wei and Jin Dynasties,and the evolution of it in the Song Dynasty and "ancient" influence of Zhao Mengfu on landscape painting and aesthetic thought of the four artist in Yuan Dynasty;The third chapter describes the background of social political,and economic and thought culture and the artistic style of the four artists in Yuan Dynasty.In order to grasp the conditions of aesthetics thought of the four artist in Yuan Dynasty,we make the research on the background and the life and the art style of four artist in Yuan Dynasty;The four chapter is the key part in this papers,it is the aesthetics thought research of landscape painting of the four artist in Yuan Dynasty,including the subject spirit,and culture symbol building,"artistic conception" and the " poem,calligraphy,drawing and seal ",the four artists in Yuan Dynasty landscape painting is further inheritance and development about literati paintings thought which is heavy performance,poetry,highlighting self-spirit of expression and artistic conception and focusing on " poem,calligraphy,drawing and seal ".The fifth Part not only analysis the history role and far-reaching influence on Ming and Qing Dynasty of aesthetic thoughts,artistic styles,and the style features of the four artists in Yuan Dynasty,but also gives us some inspiration for our contemporary painting of China.