Analyses The Revelation Of Methodology By Gerhard Richter Photorealistic Paintings To The Contemporary Painting In China

Gerhard Richter as a world-famous modern artist were introduced into China,and formed a large number of studies on his works,his vividly photorealistic painting keep the viewers at a distance of photography photos given a deep impression.Photorealistic-painting has two different development situations in Eastern and Western.Xu Beihong tooks the French classicism to China,realistic-painting becomes the main line of development of modern China,and profoundly affected the college of education and official art.In the 1960 of the 20 th century,after the DAda art of European,realistic type of painting gradually lost main status.However,German artist Gerhard Richter taht his vividly photorealistic painting injected a new power for realistic-painting.When his types spread to China,it is seem to became a foundation that is everyone using images to painting,this situation whether caused a misunderstanding about painting became an image production and lost art of independence.The pictures as material,Gerhard Richter of photorealistic painting usually come from some briefings and magazines,he said it is unconscious that he collects this pictures,but people found through the subsequently of research that such of pictures is formed logic,in his photorealistic painting he using a fuzzy pictures to keep a distance sense.Richter creates a objective reality by painting.Meanwhile,this objective reality is some relations with something or some events and close to life.Actually,his painting based on the another scene,this scene from real life and events,this is not simply discard but to keep some distance.this distance is also a key of methodology of Richter paintings,the “real”photography inspired the viewers questioning introspection,so the drawing referred to in the moment embodied,the truth is absent.Gerhard Richter photorealistic painting as an example in article to rethink this situation that is a reality about photograph using in contemporary Chinese painting base on the methodology of photorealistic painting.Tracing the Western art history the painting,from a period of humansim to imitates reality and scientific recopy until to the liberation of modernism,as a function to reproduce and record.Try to clear the differences between photorelistic and traditional realistic painting.Analysis the methodology of Gerhard Richter of photorealistic painting lead to the‘painterliness' it proves the relation of ‘painterliness' and images.The ‘painterliness' of photorealistic painting maybe can proves independent of the value on contemporary art in the age of information.Painting as an art of vision,but it is not simple visual stimulated,its contents should be likes Symphony music,and must be training,coordination,the painterliness could make painting to realize the function of this channel.Using photographic for photorealistic painting and the use of media images could be distinguished.Images became results,paintings became purposes,only make painting as a signified and other images representation as a signifier,photorealistic contemporary painting could be developing.