Study On The Chengzhi Zhang's Recetion In The Perspecitive Aesthetics

Even though the academic research perspective is constantly changing,the very existence of Chengzhi Zhang challenges the researchers in both creative ideas and forms,to the extent that the Chinese contemporary literature has formed ?Chengzhi Zhang issue? towards the evaluation of Chengzhi Zhang,this issue highlights the individual uniqueness of Chengzhi Zhang,it also reflects that when facing the phenomena of Chengzhi Zhang,there is a limitation of researcher?s knowledge and vision and a weak consciousness of problems when literature faces reality.This article refers to the related theories from the reception aesthetics,unscrambles the Chengzhi Zhang acceptance phenomena in literary award,history of literature and literary researches,aims to judge the Chengzhi Zhang acceptance phenomena,analyze the causes,review the literature,uncover the richness and complexity of Chengzhi Zhang?s creation,and deduce the future trend of Chengzhi Zhang?s research by presenting the research phenomena of Chengzhi Zhang,in a way of ?outside-in? and ?destroying while rebuilding?,and going back again to the context of the literature and theories through the research of Chengzhi Zhang acceptance phenomena.This article is divided mainly into seven sections:The introduction section mainly elucidates the related theories of aesthetics of reception,such as ?Reader-Centered Theories?,?Horizon of Expectation? and ?Call Structure? etc.Also,points out that the unique writing view and ideological posture of Chengzhi Zhang has been widely concerned as a phenomenon,and it also becomes an academic ?acceptance issue?.While the aesthetics of reception provides us a idea of solving ?Chengzhi Zhang acceptance issue?: by carrying out an overall dynamic research to help us separate this article from the limitation of era,a more dependable explanation can be made from a higher level.The first chapter studies the Chengzhi Zhang acceptance phenomena in ?literary criticism?,mainly finishes two jobs,firstly,evaluates the Chengzhi Zhang acceptance phenomena in different times.Secondly,conducts detailed studies of ?Northern River? and ?Black Horse? in the view of ?Horizon of Expectation? and ?Call Structure?.The second chapter mainly discusses the Chengzhi Zhang acceptance phenomena in ?literary award?,points out that the official award is an aesthetic acceptance guided by mainstream ideology,while the folk award is mutual verification of thoughts and aesthetic.Literary award participates in the construction of literary classics,for Chengzhi Zhang,the literary award boosts some of his literatures into literary classics.The third hapter discusses the Chengzhi Zhang acceptance phenomena in ?history of literature?.After the cultural revolution,Chengzhi Zhang stepped into the literary world and wrote constantly to this day,in the long period of creation,he presents various characters to the people,his personal image is repeatedly shaped in the history of literature.This chapter first grasps the generation of literature history and the aesthetic selection on the macro level,by summarizing the recordings of Chengzhi Zhang from various versions of literature histories,goes back to the historical context and exposes the process of literature history aesthetic acceptance and aesthetic production in order to judge the revealed fact and the hidden truth of the literature history?s acceptance of Chengzhi Zhang.The fourth chapter carries out a 3D cause analysis of the Chengzhi Zhang acceptance phenomena in three aspects,that is institutional environment,knowledge genealogy of the author and aesthetic experience.The fifth chapter deduces the future research trend of Chengzhi Zhang by comparing with the Chengzhi Zhang acceptance phenomena,one way is to introduce the genealogy for reasearching,exposes the literary researches in the context utterance of knowledge-power,by integrating large amount of unregarded materials and using ?heterogeneous against homogeneous?,exposes the facts that has been sheltered.The other way is to enter in with the theoretical view of ?coding/decoding?,a special attention should be paid to the ?coding/decoding? process in the creations of Chengzhi Zhang as a national writer,the research of national traits and literariness should be equally treated during the researching of Chengzhi Zhang?s creations,avoid the ?misreading? of acceptance as much as possible.