The Theory Of Documentary Photography Humanistic Care And Its Value

Kaifeng zhu xianzhen woodblock New Year painting is the source of Chinese woodblock New Year painting.It is one of the traditional folk arts in China,with distinct regional cultural features and symbolic characteristics.The painting style of the woodblock New Year painting of zhu xianzhen embodies the bold,bold and unceremonialness of the northern people.From the ancient times to the modern times,the content of the New Year paintings was the people at that time under the influence of the environment of the time,the life,the politics,the natural knowledge and expectations.Their desire for beautification is conveyed as a New Year painting with symbolic meaning,which expresses the pursuit of the living environment by means of symbolism and metaphor.With vivid pictures,the New Year pictures record the folk customs and life of the northern people,serving as an important means for people to convey their feelings and wishes.Kaifeng zhuxian woodblock New Year painting is the transformation of emotional appeal into visual symbol art.Symbols are meaningful perceptions,semiotics are activities that study meaning,so the presence of symbols must be meaningful.This thesis mainly from saussure and Pierce,Roland barthes semiotics theory,to explore the semantic expression of woodcut New Year's paintings vermilion immortals township in Kaifeng,rhetoric,the ideographic symbol application process,step by step,from all levels explain the form and meaning of woodcut New Year's paintings vermilion immortals township in Kaifeng,to interpret the symbolic representation of woodcut New Year's paintings vermilion immortals township in kaifeng in extension and extension,eventually understand its ideographic process in the composition of the image.All in all,from the perspective of semiotics,the paper analyzes kaifeng's woodblock New Year paintings to better understand its cultural value and the protection and inheritance of this folk cultural and artistic treasure.This paper use authority symbol theorists Saussure,Pierce,Roland.Bart's theory point of view,by using the theory of the image structure,semantic expression of woodcut New Year's paintings vermilion immortals township and design methods for parsing,multi-level analysis of woodcut New Year's paintings vermilion immortals township of form and meaning,thus further analysis as art symbol of woodcut New Year's paintings vermilion immortals township connotation and denotative meaning,then deconstruction ideographic symbol coding process of woodcut New Year's paintings vermilion immortals township.As a whole,the first part of the paper mainly relates to the basic situation of the narrative symbol and the woodblock annual painting of kaifeng zhu xianzhen.First is the concept of symbol and the origin,the establishment of a modern semiology,choose suitable to kaifeng from the point of view of semiotics theory of woodcut New Year's paintings vermilion immortals township,at the same time,the origin and history of woodcut New Year's paintings vermilion immortals township in kaifeng also is very be necessary.The second part mainly elaborates the characteristics of the symbolization of kaifeng zhuxian wood.First of all,the woodblock of kaifeng zhuxian is regarded as an artistic symbol,and its symbolization process is elaborated.Secondly,the paper of the woodblock of kaifeng zhuxian is used for the text and polymerization and the dual axis of the composite axis.The kaifeng images of woodcut New Year's paintings vermilion immortals township as a text,such as color,shape,composition,line art form as a composite shaft undertakes collocation,combining western modern semiology theory of biaxial inductive kaifeng combination of woodcut New Year's paintings vermilion immortals township shaft and aggregation.The third part is based on the theory of semiotics to study the woodblock New Year pictures of kaifeng zhu.Must first start from its semantic expression,since knowledge symbol signifier and the signified,draw lessons from saussure and Pierce's symbol theory,understand the symbolic expression of the extension and extension,and respectively discuss each of the symbols in extension denotative meaning.Then according to Pierce's semiotic theory to study the subject matter,the style is classified.The third part is the symbolic symbolic symbol of Lenovo,and then interprets the metaphor and rhetoric of kaifeng zhuxian wood edition.The fourth part finally analyzes the context of the Chinese New Year painting symbol of zhu xianzhen,and analyzes the situation of the predicament that the woodblock New Year painting of zhuxian town is now facing.We should rise to spiritual level according to the actual situation of the local traditional culture to promote the local characteristics,and to find a right protection and inheritance in kaifeng road of woodcut New Year's paintings vermilion immortals township to contribute.With a sense of social responsibility to imagine using the new characters of a certain symbolic visual symbols,to design in to solve the problems about kaifeng local,to prove the theory with practice,eventually reach ideal to promote local economic development,the spirit of building a harmonious society.Using the theory of semiotics to study the woodblock New Year painting of kaifeng zhu xianzhen is not only to explore,but also to look at the history of the woodblock New Year painting of kaifeng zhu xianzhen,to understand the living environment and the pursuit of the people at that time.Any kind of folk art is closely related to its folk customs,religious beliefs and subsistence lifestyle.Lifestyle changes also destined to customs change,the change of the customs on behalf of the change of religious belief,religious belief of the change on behalf of the change of the aesthetic temperament and interest,these must through the baptism of the history.The entertainment function of kaifeng zhuxian woodblock New Year painting is gradually disappearing,but its value and the simplicity of its hidden beauty and collection value are being paid attention to.Focusing on local culture can not only promote the excellent traditional culture,but also serve as a spiritual warning effect.Kaifeng woodcut New Year's paintings vermilion immortals township is an inalienable part of Chinese folk art,has its own special art system,we're in a new perspective to break the traditional stereotypes of woodcut New Year's paintings vermilion immortals township,let people stand under the perspective of semiotics,as a kind of folk art to understand the unique value and significance.