| The Polish poster's distinctive design style,with many thought-provoking details to savour slowly,also makes it an important part of the world.When it comes to graphic design in post-World War II socialist countries,political posters of the Soviet Union,Poland and China must be the first to come to mind.Most people believe that the design of posters under the communist system should be completely controlled,and that the pure government should advocate the superiority of the socialist system over the capitalist system.But that is not the case under this facade,where Polish designers have considerable freedom to incorporate their own strong personal ideas into their designs,free from market and economic laws.Their design is not an expository representation,but a way to express their inner thoughts in the gap.The continuous development of poster land in China and the influence of Polish poster art are inseparable.This paper analyzes the Polish poster after the Second World War(1950-1970),taking as an example the graphic symbols of Polish Poster School's work by Hengli tuomayefusiji,the leading figure of the Polish poster school.Polish poster design has a profound influence on Chinese poster design.According to the time division,the Chinese poster style evolution is studied.The graphic analysis and exposition of the views are mainly based on the design of Chinese poster art in the 1950 s and 1960 s,the content and expression styles are compared with the Polish poster design analysis. |
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