Research On Deconstructive Graphic In Modern Poster Design

"Deconstruction " concept since the1960s has been made of France Jacques Derrida, as animportant theory of postmodernism have a broad impact on the architectural design and modern design,fashion design, graphic design which is also an important extension of scope of benefits."Deconstruction graphic language " because of the uncertainty of its conceptual ambiguity, complexityof objects and methods and the use of classical composition with the continued practice of their ideasare still confined; poster design, how to understand, interpret, and writing, to improve "deconstruction graphic language," inject new poster for today’s power plane,it is valuable to developimportant areas of urgent system research.Based on the current situation, this paper deconstruction of modern poster design direction for thestudy of the use of graphics, through the classic case of a large collection of literature and, in theory toguide practice principles, through in-depth analysis of the classic case of deconstruction graphicsummarizes the main performance practices. Practice for the poster design and graphic design elementsof deconstruction practices the art of parsing and interpretation system. Paper studies the theory of theorigin and nature of deconstruction techniques of deconstruction thinking in-depth discussions on thedeconstruction deconstruction graphics objects are classified, and through an in-depth analysis of aspecific case, summed up deconstruction graphics performance practices and characteristics. The mostimportant thing is to explore the deconstruction of nationality and modernity graphics performance,designers explore how to deconstruct and re-creation of traditional cultures and graphics, how to get a"foreign ideology" active "soil resources," truly foreign things serve China, past serve the present, theuse of "deconstruction" of the power of this technology, the activation of a new world of modern posterdesign.