A Study Of The Art Trajectory Of The Kunmning(Nie Er) Symphony Orchestra For Thirty Years

Music is the sunshine of life.Human social activities have created material wealth and spiritual culture.What make life perfect is music of course.As a part of culture,music,along with the progress of society,has formed the values of beauty and the concept of aesthetics which are generally sought by human beings.However,in the concrete music activities,specific aesthetic objects and specific symbolic meanings have different appreciation interests in individuals,groups and different nationalities and countries.Symphonic music came to China and rooted in Yunnan,and merged with the music of all nationalities in Yunnan,and even became an indispensable part of the artistic life of contemporary Yunnan people.The inevitability of its aesthetic value is implied in the probability of special artistic taste.By tracing the historical trace of Kunming Nie Er Symphony Orchestra,this paper attempts to explore the twists and turns of symphony music taking root in the laterite plateau,and to interpret the inevitable phenomenon of symbiosis between symphony music and Chinese music culture.Although different natural environments and different social structures have different cultural traditions,music,as the common artistic wealth of mankind,still gives all peoples the sunshine and beauty of their lives and is loved and pursued by all peoples,This is where the universal aesthetic value of music lies.The Kunming Symphony Orchestra arranged by the author from the start-up,reform,reorganization to development,with different periods of spatio-temporal environment,forming a unique cultural and artistic characteristics and unique symbolic aesthetic value.This trait is manifested in symphony creation,performance and social activities,etc.From concert halls to campuses,from popular entertainment to aesthetic appreciation,from Western classics to national symphonies,the symphony played on the Red Earth Plateau is not only a taste and enjoyment of hearing,but also a perspective of the history of Yunnan's musical culture through the transmission of musical language and interpretation of the current mood of Chinese Dream's national rejuvenation.Chinese symphony formed in the historical context of Chinese and Western cultural dialogue,developed in the tide of social change,and became an important cultural force of social change.Through the history of the development of Kunming Nie Er Symphony Orchestra,we can see the cultural atmosphere of Yunnan's unique national music culture and the opportunities and challenges in the future.Of course,as a spiritual product,when the tide of social change comes,what music art needs is not only the support of the government,but also the acceptance of the masses.This requires the music of stage art to go down the altar,and brings to the public the rich and colorful art that the masses like to see.The promotion of spiritual culture and the modern dissemination of local music in Yunnan are,in certain sense,the epitome of the social and cultural changes in Yunnan,which contain many memories of Yunnan's culture that has passed through 30 years of reform and opening up.The author tries to work out something valuable from it.The 19 th report pointed out that as socialism with Chinese characteristics enters a new era,the principal contradictions in our society have been transformed into the contradiction between the growing needs of the people for a better life and the unbalanced and insufficient development of the society.While the existence of the Kunming Nie Er Symphony Orchestra,which also reflects the value of people's increasing satisfaction with spiritual happiness in social life.Years of wind and frost for 30 years,the orchestra has entered a new age,it should be summarized on its' history,and this is the value of the author to complete this topic.This article will take the Kunming Symphony Orchestra,founded in 1987,as the predecessor of the Kunming Nie Er Symphony Orchestra,which was developed to the Kunming Nie Er Symphony Orchestra,as the object of study.On the basis of historical data,this paper summarizes the history of Kunming Nie Er Symphony Orchestra from the time level by systematically arranging the existing documents,such as program list,performance record,newspapers and periodicals,case interviews,etc.From the aspects of music activities,performances and musicians,etc.this paper explores how to create a cultural brand belonging to Yunnan's local symphony music under the background of global multiculturalism.It reveals the interactive relationship between symphony music and social environment and the artistic track of its development.