Research On The Cultural Identity Of Hong Kong Co-productions In Mainland China(2006-2016)

Mainland Hong Kong co-productions,after decades of development become the successful model of a Chinese commercial films,it combines both sides of the mainland film and commercial resources advantages,a huge success in business,from 2006,fearless,the banquet,"the curse of the golden flower" in 2016 to "mermaid","journey to the west of the Monkey King three dozen bones jing",the action of the Mekong river,inland Hong Kong co-productions is the mainstream of Chinese commercial film.At the same time,as the main form of Hong Kong film,the Hong Kong co-productions of mainland Hong Kong has a strong Hong Kong sex,or a cultural identity characterized by Hong Kong characteristics.The cultural identity of Hong Kong from the mainland co-production construction mechanism is the cultural identity of film text shaping mould,a set of both the mainland and Hong Kong to participate in the negotiation mechanism to develop the mainland Hong Kong co-productions,pull a variety of power field,also determines the mainland Hong Kong co-productions,construct the cultural identity of the Hong Kong sex characteristics and sexual metaphor of sex in China belong to the Hong Kong.In short,the mainland Hong Kong co-productions is a medium for constructing China's centripetal force,it is group,organization system and the complicated social reality,such as the characterization of the cultural identity of always facing China,the "imagination of community".Mainland co-production of Hong Kong's cultural identity construction can be found from time,space,group three dimensions of three kinds of identity,in time,space,dimension can be found on the intersection of immigration,edge,citizens are three kinds of sexual identity in Hong Kong,with loss of identity,borderline,exclusive of symptoms in Hong Kong,these symptoms are Hong Kong films for the mainland Hong Kong co-productions,genetic inheritance of culture.There is no doubt that the Hong Kong co-productions of the mainland have inherited the Hong Kong sex of Hong Kong films,and the Hong Kong sex is constantly represented in the film.Mainland Hong Kong co-productions construction not only has lost the root,borderline,exclusive of cultural identity,mainland and Hong Kong co-productions as media also implements the cultural identity roots,return to center,open inclusive medium function.Mainland Hong Kong co-productions during the 11 years from 2006 to 2006 subtle already will be a huge step forward in the direction of the mainland,Hong Kong is on the cultural identity to the identity of Chinese culture to make the conversion.On the one hand,this is advantageous to the mainland Hong Kong co-productions in achieving business goal spread a kind of cultural identity,cultural classification to cater to the audience,and realize the transmission of cultural inheritancefunction,on the other hand,in the entertainment at the same time,will appear on both sides of the social contradictions of ritualized processing,such as: new immigrants,mainland tourists and abducted children on both sides of the existing social contradiction it can all be in the process of film text encoding construction consultation,mainland Hong Kong co-productions,pay attention to the social reality at the same time not forget to cater to the national mood,fight the Wolf,the emergence of the red sea action was no surprise that the Chinese movie theme movie change has been brewing for Hong Kong co-productions in the mainland.