Research On The Formal Language Of Butterfly Pattern In The Qing Dynasty From The Perspective Of Gestalt Graphic Analysis

Butterfly complex is a universal cultural psychological phenomenon with a strong national aesthetic psychology.Butterfly culture is the result of the accumulation of traditional Chinese culture.Its beautiful colors,beautiful shapes and deep meanings are deeply loved by people.The Qing Dynasty was also a flourishing period of butterfly patterns.The use of patterns for auspicious meaning has high artistic value.With the gradual revival of traditional Chinese culture and art,the integration of these outstanding traditional art elements with contemporary art design has become a hot spot for domestic artists to explore.Gestalt Psychology sums up previous experience and incorporates new connotations to make patterns more full and vibrant.Its appearance has a profound influence on contemporary design.Flexible grasp and application of the format of tower vision theory,through different expression techniques while taking into account the form of aesthetics while effectively conveying the pattern information and the author's emotions,can better help viewers perceive the pattern image,combined with the audience psychology and the designer to produce emotion Resonance is conducive to the development and improvement of contemporary design.Therefore,this article takes the Qing Dynasty butterfly pattern in the traditional auspicious patterns as the research object to realize the transformation between traditional culture and contemporary art elements,and seeks the connection between traditional art and contemporary art.Based on the analysis of Gestalt graphs,the authors studied the formal language of some butterfly patterns in the Qing Dynasty based on the main principles of Gestalt's visual perception,and gave a new cultural interpretation of the traditional art elements.He hopes to apply and develop the butterfly patterns in the Qing Dynasty.Provide theoretical support to better achieve the application and development of traditional patterns.This paper hopes to use modern graphic analysis theory to explore the formal language of butterfly patterns widely used in China during the era of traditional Chinese culture.A more in-depth understanding of the main principles of the format tower vision perception theory,through the collection of some of the butterfly patterns of the Qing Dynasty,summed up the artistic characteristics and structural characteristics of the butterfly pattern,hoping to be guided by the pattern tower vision perception theory against the Qing Dynasty butterfly pattern The implications of contemporary design are explored.Firstly,we summarize the existing research literature of this topic among scholars at home and abroad,determine the plan for research of the thesis,and then summarize the common principles of Gestalt's psychology concept and format of tower consciousness and better understand the gestalt tower.The relevant design principles,combined with these design principles,analyze the butterfly patterns of the Qing Dynasty.Then summarizes the basic characteristics of the butterfly patterns of the Qing Dynasty,and analyzes the formal language of butterfly patterns in the Qing Dynasty from the perspective of the Gestalt pattern analysis.This part is the focus and core of the paper.Then,in combination with the results of the paper's investigation,the revelation of the formal language of butterfly patterns in the Qing Dynasty in the contemporary design was refined and the design practice was carried out.Finally,summarize the main conclusions and existing problems of the thesis research.