Motivation Plays A Role In Shaping The Characters Of The Dance Drama Huizhou Old Dream

The characterization of dance drama is a creation process evolving from inside-out to outside-in. The inside-out needs to grasp the characters’ psychological change process and change motivation, which make up the driving force of characterization; outside-in needs to catch the key motivation precisely and form up the lingual structure with the development and change of multiple motivations. Accurate and genuine can directly affect the inner world of audience, which helps audience catch the feelings and thoughts of characters at first time. This paper aims to provide an analytical autopsy of characterization of dance drama based on the real situation and practical problems during the creation process – from basic creation motivation to grasp psychological incentive and difficult problems of developing motivation change process. Concerning the issue of motivation development, this paper summarizes some practical experience and its final resulting of how to find an effective method in order to meet the artistical need and solve some problems. A plump artistic image should be through the rich artistic means can see its delicate psychological process, so as to create a full and deep soul. The image should have the characters of both inner vitality and its exquisite vivid external expression. The inside vitality of the characters is a driving force of the work, exquisite and vivid performance is derived from the inner vitality and also support and enrich the shaping of image. Shaping of the characters should be from human life impulse, as a "person" the complex emotional and psychological change and to "to say the words". Individual life of the inner monologue of the ego or as an individual person and the objective world dialogue should how to say? Where to begin? In what way? We need to look straight into the process, feels its "characters" thoughts, perceptual and rational distribution, found that real emotional causes of action, found energy at the heart of the seeds with motivation, accurately language weave, thus shaping the fullness of character image. Ballet creation in the shaping of the characters is the core of creation, motivation in the process of production characters as both internal driving force will change the character’s psychological motivation, and as an external form or motion capture, selection and development of the motive for the characters, the choice of motivation to grasp is the key to key. Want to shape a distinctive flexible character, must find out how to shape, need to clear this is a process of from the inside out. At first will be a deep understanding of the character, carefully analyze and grasp the character of the psychological process, gradually establish the development of the characters in each dance section psychological changes, seize the characters in each dance is at the core of the psychological motivation. Again how to find real motives, by inside and outside to capture, selection and development of motivation is a key of the external form of external process, also must be precise about a huge and complex process. Creative process, the psychological motivation, character set up internal cause and action motivation, externalized language character inner activities, both be short of one cannot. Is the thinking about why people to dance and dedicating to how to make the characters of methodology.