The Exploration Of The Performance Of The Chinese Classical Dance "body And Rhyme Combination"

This paper discusses about the exploration of the body rhythm combination perform ability. It aims to explore the significance and methods of its teaching and examine the teaching approaches from separation to combination. It is based on the previous study and practice. Meanwhile, it is also a self-understanding and practice to rhythm combination. Body rhythm plays a significant role in Chinese classical dance. It decides the aesthetical standard and solve the problems about the training, styles, languages and stage performances. Body rhythm is created to encourage people to combine Chinese traditional aesthetics and the modern requirements, search approaches and resources from the legacies instead of reproduce and copy simply and mechanically. People are inspired to learn and look for the basics and regulations between different arts and dance performance itself, which include but is not limited to the performance forms of Chinese opera art and any of the standardized feature. Therefore, body rhythm of Chinese classic dance is born not only to solve the trainability, style and systematics of the movements and relationships between arts, but also merge the rhythm of postures and moves with the grace and skills. Single and elemental movements are sublimated by body rhythm to a dramatic and independent performance. It starts from elemental training to combined training, and to stage performance, during which the completeness and systematicness along with its cultural aesthetical implication is formed. The development of body rhythm brings abundant expression ways to Chinese classic dance creation and performance. So the body rhythm combination requires not only single and elemental training, such as style training and coordination training, but also comprehensive and linguistically forms to train its performance. And since the performance is occurred in classroom to improve students' ability and further serve the dramatics in the stage performance, thus, body rhythm requires the performance implication to make to body emotional and has a specific meaning and character. The development of body rhythm in Chinese classic dance is always and continuously researched to solve the nationalization and performing function, which is the essential different from the Ballet in the west, and the marks of the teaching contents, forms and aesthetic pursuit from traditional opera art to dance art, classroom training to the stage performance.