Talking About The Perspective Application Of Traditional Chinese Painting

In the process of social development,the perspective of occurrence,evolution and development is closely related to human painting,craft,architecture and other art activities.Therefore the perspective is a product of human long-term exploration and practice in the field of visual art.It is an independent discipline technique theory.It is devoted to the study of how to present the three dimensional space in real world on a two-dimensional space and reflect the object's spatial sense and deep sense of distance in two dimensional space.Many scholars think hold the view that it derives from the west and has nothing to do with our Chinese painting,even argue that there is no perspective in Chinese ancient painting.Hence the purpose of this study is to find out if the traditional Chinese painting has perspective rule and how ancient painters to understand and master objective object perspective law and flexible use in paintings during their long-term art practice.This article from four aspects to analyze the perspective of the law in Chinese traditional painting.The first chapter gives a detailed introduction to of the basic principles of perspective.The second chapter is describes the formation of perspective view in traditional Chinese painting.As China and the West in the painting is completely different from the concept of time and space,so that China and the West in the painting to take a completely different expression,The third chapter of Chinese traditional painting in the perspective of the development process.In this section the author through the study of ancient literature and painting concluded painting perspective rules?Through the specific analysis of Zong Bing's "sequence landscape painting",Guo Xi's "three far" and Shen Kuo "Wonderland small" law to prove that Chinese ancient paintings not only have perspective rule,but also have the “far " view of perspective rules.The fourth chapter elaborates the concrete application of the perspective in Chinese traditional painting.In this chapter,the author uses the specific pictures to analysis the scroll painting shape,vertical perspective application and the application of painting perspective rules in architectural,furniture and character.Finally the author summed up concludes that the perspective of traditional Chinese painting is diversified,such as multi view X-ray,far visual distance,high point,oblique looking,"inverse perspective" method and the Western focus perspective.In order to achieve the ideal picture effect,the traditional Chinese painting has always been more than the objective performance in the space.such as landscape painting "from the perspective of momentum and close-up temperament",building,chariot artifacts to do as the reality of "regular shaped" states and so on? The Western focus perspective can not meet the ideal requirements,only the combination of multi view can be ideal artistic effect of Chinese traditional painting.Therefore,In order to make the picture scenery of different time and space to a combination of natural harmony together,Chinese traditional painting in the picture composition of the "multi viewpoint","far sight","high point","oblique overlooking the" multiple perspective representation.