The Study Of The "transformation" View Of The Northern Song Dynasty Literature

The concept of "Tong Bian" is an important conceptual category in the ancient Chinese literary theories. It was originated from Zhouyi, discussed detailedly in Wenxindiaolong and enriched by literary theorists of dynasties who used its flexible characteristic to enrich it, especially in Song dynasty.The theorists in Song dynasty were skilled in using this theory in literary practice. But learners rarely noticed this aspect and they used to discuss personal and micro problems. Thus, the article is divided into three parts as follows:with reference of macro and micro as the research perspective, with the theory of "tong bian" as the starting point and with its time of literati partial "Tong" or "Bian" as the standard, combined the essence of the theory of Wenxindiaolong, reverted the pomp of literature in Northern Song dynasty and contribution to its theory of "Tong Bian" in the theory of comparative studies.The first chapter introduces the research of early period of Northern Song dynasty. at the first, by comparison with Confucianism of Liu Xie, the theorists discovered the basis of the theory in Taosim, Buddhism and Confucianism. Second, they focused on the nature of "Tong Bian"in humanity, but the concrete conclusion varies with different individuals. So, the theorists in Northern Song dynasty preferred to discuss "Tong" rather than "Bian".The second chapter introduces the research of the middle period of Northern Song dynasty. This chapter is divided into three small parts, based on the result of previous chapter and the background of innovative movement of the verse in the Northern Song dynasty, contrasted with Tong Bian and Bian Sao of wenxindiaolong, and focused on the theories of Ouyang Xiu, Su Shi and Chao Buzhi.the fist part,it makes comparison research in literary creation field. The second part, it makes comparison research in literature stylistics field. The last part, it is about the study of Li Sao, represented by Su Shi and Chao Buzhi. By all of the results, revolutionary spirit of theorists is worth praise.The last chapter introduces the research of late Northern Song dynasty. This chapter is aimed at making up for the deficiency of innovation by the theory of "Ben Se" and forming its own literature by compromise between the freedom and the rule. The "Ben Se" composed by Huang Tingjian’s theory of "based on the standardized form", Chen Shidao’s theory of "followed the literary rule of different kinds of style" and Li Qingzhao’s "Ci was another form of art". It sees the creation theory of HuangTingjian as the standard and sees the theory of "Huo Fa" as the conclusion of literary theories of the Northern Song dynasty. These theoretical characters make Northern Song dynasty become a wise man.Wenxindiaolong and literary theories of Northern Song dynasty explain between each other, breaking the single perspective to enrich the meaning of "Tong Bian" in Wenxindiaolong and ascertain the primary cause of the literature boom of Song dynasty. It reappears the prosperity of "Tong Bian"in this special dynasty.