The Study Of The Aesthetic Style Of Chinese Magic Movies Since The 21st Century

When we opened the history of thick film,as a fan of you will be a type of film deeply attracted.From the silent era to the special stage of the film,the magic movie can always bring us into a world which is full of mysterious fantasy.In this world of the west,mentioned the fantasy film,the audience naturally think of Western Magic Movies become fashionable for a time-Harry Potter,Lord of the rings Rings,Pirates of the Caribbean and so on.However,when the film had come to the East which was marked by a unique brand,and China unique martial arts movies become a beautiful scenery line of China film.Because of its own national style,Chinese magic film has become the benchmark of Chinese film in the world.Since twenty-first Century,the film has become one of the most popular style of the current global film market,becoming an important category in the wave of commercial films.In the Chinese mainland film market and the creation of new magic film is also emerging and becoming more mature,become an important part of the domestic film and television market.Especially in recent years,along with the interweave and integration of globalization and Internet,the domestic film market shows a thriving posture,A large number of new Magic Movies came into being-The Ghouls,Monster Hunt,The Mermaid.However,now for the twenty-first Century after the Chinese magic film theory research,the number is very scarce,the existing papers are limited to the study of individual works,as a whole has not formed a unified theory.This paper will appear all Chinese fantasy film works in the new century as the research subject,based on technological aesthetics,narrative film,film and other related theories,the aesthetic characteristics of China film magic since twenty-first Century show the comment and analysis in depth.Through the development of Chinese combing fantasy film since the new century and the definition of the concept,and then summarizes China fantasy film of Unique style,Beauty of narration and the beauty of narrative theme,and to explore the future development of the road.This thesis is divided into five parts,the two to the four chapter is the key chapter.First is the introduction,which is mainly divided into three parts.The first is to discuss the background and research status,and then summarized the purpose and significance of the study.The last is a summary of the research ideas and methods.The first chapter is an overview of Chinese fantasy film,which includes three parts.The first is the origination and the development of fantasy film.The second is the analysis about "Oriental magic fever" phenomenon in the twenty-first Century.Finally,the last is based on the subject for the Chinese fantasy film analyzing the definition of the concept.In the second chapter,the thesis analyzes the image expression of Chinese magic film since twenty-first Century,which is mainly divided into double parts,the visual spectacle and the auditory sense.The first part discusses the four aspects,including the scene,clothing props,demons,and martial arts special effects of the martial arts;In the second part,it explains the paper from the character lines,dubbing,background music,sound effects technology.In the third chapter,this thesis analyses the expression of the image,the theme,characters,narrative techniques from the perspective of narrative to research the beauty of its unique narrative.In the fourth chapter,it studies fantasy film aesthetic connotation,the reality,the true meaning of life and life ideal from the subject perspective to review its unique theme of beauty.Finally,in the fifth chapter,there are a summary and an outlook for the Chinese fantasy film,about the development status and the future,coming up with Chinese new future fantasy film and meeting the flourishing spring of Chinese fantasy film.