A Flower Of Sensation That Radiates A Sensual Surface

Lu Ye is an important poet in contemporary China,her poetry writing is one of the important harvest of Chinese contemporary female writing,however,the present academic circles has a lot of problems on the study of Lu Ye poetry,outstanding performance in research is more single poetry commentary,fragmented research is common,serious shortage of comprehensive,systematic study,not performance well in the real appearance of Lu Ye poetry and creative future.This paper,based on a large number of firsthand material and careful literature review,through three chapters and ten sections,with three important appendixes,from the outside to the inside and the surface to the centre Lu Ye,this paper mainly studies Lu ye’s characteristics,and categorization research in the history of Chinese poetry,Lu Ye in the history of contemporary poetry discussion analysis to the study of Lu Ye poetry "ontology,foreign minister ",poetry classification’s research to the poetry aesthetic characteristics,poetry express ideas and writing strategy’s research,poetry " personality " transformation,etc.the study of Lu Ye poetry was comprehensively deepened.The first chapter is called "Open to the Emotional Life",divided into three sections,and it is the "basic" in this paper." Lu ye’s Poetry Micro Movement" is the first section.The data analysis indicates that Li Bai occupies an important position in Lu ye’s mind,which leads to the identification and use of basic concepts such as poetics of "imagery",added with analysis of the image in the Lu Ye poem."Lu Ye in History of Macroscopic" is the second section.From the macro perspective of the history of Chinese poetry,it is pointed out that poets such as Lu Ye and Li Bai both belong to the "perceptual" poet;through comparison of the "rationalist" side of the poet’s,the basic feature of "sensibility" poet is summarized,and the possibility and difficulty of Lu Ye enlisted in the history of contemporary poetry is analyzed."As a Sentimental Poet Lu Ye" is the third section.Through similarity analysis of "perceptual" poet and Lu Ye from different aspects,Lu ye’s specific characteristics as perceptual poet is pointed out and in this section formal Lu ye’s "comprehensive" is put forward.The second chapter is called "Lyric Ontology and Narrative Foreign Minister",divided into four sections with eight parts,and it is the "main body" in this paper.The first three sections focus on the research on Lu Ye poetry "lyric ontology ",and the fourth one is on "narrativeforeign minister" of the poetry of Lu Ye."Love Life" is the first section.The first part reveals the essence of Lu Ye poem is a lyric poem,pointing out its lyrics in the lyric tradition of Chinese literature.The second part of the study of Lu ye’s poetry writing poetry daily,pointing out the main reason is that such poetry "leisure" and "idle sorrow"."Loved Informed Heavy" is the second section,studies Lu ye’s love poetry.The first part points out its "dependency" in the love poetry,and the second part points out that the essence of the "dependencies" is the dependence on love itself."To the Affective Roving Through Deeper" is the third section that research on her vast and complex experience in writing poetry.The first part studies Lu ye’s poetry with a fairy tale and writing nature,pointing out that the essence of the two types of poetry is emphasized to return to the "this”.The second part studies her poems with " great concern ",pointing out that these two kinds of poetry has certain inner link,and points out that this concern for the " big things” shows the great potential of lu ye poetry creation."Lyric Carrier" is the last section that studies "foreign minister" narrative of Lu’s poetry.The first part studies the spoken and figurative language in the lu ye poem.The second part studies narrative in the lu ye poem,pointing out that the foreign "narrative" is actually as a carrier of the lyric.The third chapter is called "Poetic Beauty Characteristics and Poetic Transformation",divided into three sections,and it is the "sublimation" of this paper."Changed Decayed for Magical" is the first section that comparison of Lu Ye with Hai Zi、Han Dong poetry is made to point out that the general characteristics of her poetry is "changed decayed for magical "."Comprehensive" and " Unstrained " is the second section that through specific text analysis of express ideas and writing strategies in Lu’s poems,points out that the concept of Lu ye’s poetry has a "comprehensive" creating concept and "unstrained" expression strategy "."Surpass of Significance From the Perceptual Surface" is the third section.It is pointed out that Lu ye’s sensibility has important significance in nowdays,and it is pointed out that "personality"transformation of Lu Ye poetry is a process of "Surpass of Significance from the perceptual Surface" and creating "new sensibility".This paper have high innovation,Lu ye’s "comprehensive" is put forward for the first time,pointing out that the "comprehensive" is an important feature of Lu Ye and her poetry.By close reading and data statistics,it,for the first time,points out the big influence of poets such as Li Bai and Tao Yuanming on Lu ye and her poetry.The detailed analysis of Lu ye in the lovepoetry is made in the form of text,pointing out for the first time that the overall aesthetic characteristics of Lu Ye poetry was to change the decayed for magical.For the first time,it is pointed out that Lu Ye poetry is a kind of "personality" transformation,and ideas of "Surpass of Significance from the perceptual Surface" and establish "new sensibility" are put forward for the first time.