Kun Dance Style Analysis

The premise of the establishment of dance is the establishment of dance style.Mr.Zong Baihua once said: “There is style that is valuable,otherwise it is worthless....Culture without special style is the degeneration of culture;if there is style,it is the prosperity of culture.” Style is the soul of the artistic value of artistic works.,is "the highest realm that art can involve"(Goethe).Facing the “Chinese classical dance” in which the academic circles are divided,I believe that the definition and judgment of the dance style cannot be separated from the definition of the “Chinese classical dance” created since the founding of New China.Therefore,this thesis basic on the artistic style theory and dance body linguistics,defines the body language style of the Kun dance as the fourth “genre” of Chinese classical dance,and tries to base it on this.This article compares the training function with the style of the body rhyme classical dance that belongs to the drama dance path.It is hoped that this can provide some theoretical reflections and practical references for the establishment of the overall style of "Chinese classical dance" and the formation of various styles.The full text is divided into three parts.The first part starts from the major premise of the art style theory.First of all,the art style theory is elaborated and defined from the perspectives of concept,meaning,formation,development,classification and value of the style.From this perspective,defining the style of Chinese Opera Dance which is derivative from Chinese Kun opera and Peking Opera.Secondly,based on the premise of artistic style theory,the formation of the Kunqu dance and its style structure are analyzed.The second part is based on the body.From the perspective of language and discipline,the dissertation analyzes the functional and stylistic training of the Kunfu school,explores its training value through the analysis of the classroom composition,and compares it with the training form of the body rhythm classical dance to illustrate its similarities and differences;The three parts extend the train of thought to the presentation of works.From the point of view of dance body linguistics and artistic style,the classic repertoires of Kun dance and body rhythm classical dance are analyzed.The concept will be applied first to the dynamic body of classical dance.Above the form,explore whether the two are in line with the artistic principles that form the style.