Research On Contemporary Art’s Involvement In Lingnan Public Space

At present,China’s countryside is a complex of contradictions.The great changes of the times make the countryside,as the root of traditional society,in a very awkward situation.It not only loses the power of carrying social orthodoxy,but also is abandoned by the material prosperity in the rapid development of the times.Urban and rural division is serious,even there is opposition.The alienated people lost their natural awe for the earth and nature.The purpose of contemporary art lies in people’s self awakening and creation.Contemporary art’s involvement in the countryside is different from the short and profit-oriented commercialization of politics and economy.In recent years,various contemporary art practices have been carried out in full swing in China.As an industry that is not practical in social life,contemporary art can reshape local context in a unique way.The combination of contemporary art and the original samples of rural public space makes the artistic language of contemporary civilization and traditional civilization collide,aiming to explore more possibilities of art village construction from a new perspective.In this paper,through literature analysis,field research,case study and other research methods,through more than half a year of practice in the village and combining with theoretical literature,the author comprehensively combs out the historical development context of contemporary art and rural construction,and points out the internal and external relationship between contemporary art and rural public space in the context of art rural construction.The article is divided into five parts.The first part summarizes the current situation of the research object at home and abroad.The second part expounds the internal development law of the research object around the theory.The third part selects the most classic rural construction cases in China to summarize the commonness and individuality of different target intervention subjects,and points out the reference significance of each case.The fourth part is based on the theory of the first three parts In the last part of the paper,through the ground-based design of the field survey of Qingtian village,as the carrier of contemporary art in the public space of Qingtian village.