Research On The Influence Of The Identity Of The People On The National Cultural Heritage

Jianshi county is a gathering area of Tujia nationality,the ancient Tujia culture in the impact of globalization and modernization,is facing a recession or even a grim situation.Non material cultural heritage is the symbol of national wisdom,the essence of national culture,is the embodiment of the national spirit,which carries a country,a national or ethnic culture of the password.The gongs and drums originated in Jianshi long beam,now has 200 years of history.It is a by blowing,playing,playing,drawing,singing,drums and gongs opera mixed as one of the folk music,it is a by blowing,playing,playing,drawing,singing,drums and gongs opera mixed as one of the folk music,is a wonderful work of folk art of the Tujia nationality.Chang Liang township also was named the national " China's concoction of the township ".At the same time in 2007 was awarded the "provincial intangible cultural heritage," the title.It is like the living fossil of the wisdom of the Tujia people,the traditional culture of the motherland is shining with its own light,it must be protected,so that the development of its better heritage.Among them,heritage is stringed percussionIn the non-material cultural heritage of the important carrier of inheritance,in order to protect the outstanding national culture,we must protect the inheritors.This will a Tujia stringed percussion heritage oral history for exposition center of inheritance of the identity of the cultural heritage.This text is composed of four chapters,Chapter 1 introduced overview of stringed percussion,including the definition of stringed percussion,historical origin,types,and characteristics of art and ancient stringed percussion heritage.In the second chapter,a stringed percussion heritage – Ran Qiliang as the center describes the heritage home survey,the birth environment and cause of the apprenticeship,apprenticeship,with apprentices art experience and his skill inheritance including his art heritage site,learn his skills with other artists,people around the evaluation of activity of his art,his art for the journey and he won the award of.The third chapter Ran Qiliang experience as the center introduced Ran Qiliang multiple identity conflict,Ran Qiliang has status as the three technicians,teachers and heritage.Due to the fuzziness of the identity of his resulted in a lot of confusion,including the uncertainty of the social behavior between conflict and cultural identity.In the fourth chapter,the paper introduces the influence of the identity of the people,including the negative influence of multiple identities on the cultural heritage and the beneficial effect of identity on the cultural heritage.In this paper,the author through the investigation found that the intangible cultural heritage in life will experience different identity change,or multiple identities are superimposed on each other,the multiple identities is at the same time has a negative effect on intangible cultural heritage,and social and heritage itself to from the multiple identity identity inheritance in the identity of the person is very necessary,the social identity and self-identity will determine the intangible cultural heritage living state tradition of a key ring.