On The Visual Performance Of Plural Styles Of Portrait Photography

Portrait photography,as an important category of photography,is accompanied by technological advances and changes in the times.Its artistic style and its manifestations under the guidance of artistic thoughts of different periods have brought forward realism close to the times and romanticism based on subjective feelings.Focus on the realism of the inner world and the post-modernization postmodernism.The contemporary era is a time of diversified styles of coexistence and symbiosis.Different artistic styles interact with each other,which will undoubtedly promote the promotion of the portrait photography art in an innovative environment,especially with the involvement of digital technology.Based on the development of portraiture photography art and the analysis of classical cases,the thesis aims to expand readers' horizons through the combing and analysis of the development of portraiture photography,and to interpret the contemporary significance of the multi-cultural coexistence and coexistence of portrait photography.The thesis is divided into four chapters: First,a brief description of the development and status quo of portrait photography at home and abroad,the main purpose and function of the different periods of portrait photography;second,through the relationship between portraiture,photographers and the public aesthetics The dialectical analysis,the inevitability of the transformation of portrait photography style and the trend of diversity;3.The use of theoretical data in combination with classic cases to analyze the different portrait style characteristics in different periods;4.Explain the status of digital photography after the intervention in portrait photography,and finally from a photography person.From the perspective of the picture to reflect some of the negative impact.