Reseach On The Painting And Bkill Of House Painting In The Landscape Of Song Dynasty

House is an indispensable factor in landscape painting,it embodied a historical period of social life.The book of "the mustard seed garden of Chinese painting" is devoted to the topic of "character building spectrum" in a whole chapter.House is not only a place to live,but also a place of cultural condensation.Throughout the development of landscape painting,from the house of Tang and song dynasty's grand seiko to the house of Yuan,Ming and qing dynasty's concise summary to the modern symbolic shift,it is easy to see that house in the landscape painting is a change process from cumbersome to simplicity.This kind of change is the inevitable trend of history,from the painting ontology,due to the rise of literati painting,it has triggered the pursuit of the fine carving of the house.The pursuit of the landscape painting's fine carving of the house has been brought down.The building form of "escape pen" is not satisfied with the needs of The Times,the buildings in the landscape are in decline.In modern times,the image of the house in landscape painting is again under the attention of the painter,and can make some adjustments,but not enough attention.Go back to the song dynasty,calling for the grandeur and grandeur of the buildings behind it.In the present day,the era has come and advocated cultural confidence.Due to the need of the social situation,we went back to the song dynasty and sought the magnificent and magnificent atmosphere behind the house.Through the arrangement of the painting theory of song dynasty,the theory of in the song dynasty is related to the painting and painting of the house.Unearthed in Theory of drawing,song dynasty landscape painting to the unique Chinese culture into methods of houses,Guo xi in the book cause from the Angle of view of "I" is put forward: "the mountain building view,with the wins are" principle;From the placement of the buildings,the paper concluded that "the river is not run by water".Unearthed in painting,Guo Ruoxu deficiency in the picture stories,concerning the pen in "grab a pen" and "cage to ink dye," Guo xi on composition important such as "global fuse" is put forward.These painting theorizing and painting methods,which opened the landscape in landscape paintings,are valuable treasure for the painters of the later generations,which is still worth learning from today.Buildings behave differently in different times.In the creative practice,the "reprocessing" of the painting language in the buildings is made by different ways of expression,trying to re-cast the spirit of The Times in a new way to enrich contemporary landscape painting.