Research On The Changes Of Cloisonne Patterns In Contemporary Beijing

Cloisonne which is also called“copper body wire inlay enamel”,It was a craftsmanship that came out of the court.It was the symbol of the royal familyand Used exclusively for the royal family.It began to enter into the people in the late Qing dynasty.cloisonne with jade carving,tooth carving,carved lacquer,gold lacquer Mosaic,silk Mosaic,palace carpet.It is one of the main representatives of the handicraft of the Beijing court.In 2006,cloisonne was listed on the national intangible cultural heritage list."copper body wire inlay enamel" contain the three most important processes of cloisonne: making copper body,Wire inlay,and coloring.From the aesthetic point to see,it is related to shape,pattern and color.This article summarizes the changes of cloisonne patterns,with the influence of various internal and external factors in Beijing since 1949.At the beginning of the founding of New China,with the revival of traditional handicraft,many classical cloisonne patterns of Ming and Qing dynasties began to recover.During the Cultural Revolution,the traditional themes that reflect imperial power was restricted,while the themes of real life,such as historical revolution and peasant mass production,were constantly emerging.After reform and opening-up,with the exchange of Eastern and Western cultures and the further emancipation of people's thoughts,contemporary cloisonne artists began to work innovation on the pattern,full of the atmosphere of the theme pattern began to replace the traditional pattern theme.After entering the new century,with the national promotion of the revival of excellent traditional culture,a large number of traditional patterns began to appear on cloisonne products,cloisonne patterns began to show the trend of parallelism between tradition and innovation.At the same time,in view of the problems found in the process of investigation and investigation,such as the shortage of new generation talents in the inheritance and development of contemporary cloisonne patterns,the insufficient protection of workers at the bottom of cloisonne,the proliferation of rough patterns under the impact of tourism?In view of these problems,some reasonable suggestions are put forward,such as the optimization of the training mechanism of the new generation talents and the deeper combination of professional education and factory practice,etc.