A Study On The Composition Techniques Of Haas's Cello Concerto (2004)

Georg Friedrich Haas(1953-),a famous Austrian composer.His creative features are unique in the construction of sound materials based on the general tone column.Is not in a typical melody,harmony,and rhythm,as the core elements of composing,but in tone as the first composing elements,at the same time using the non-quantitative rhythm,micro polyphonic techniques and unconventional instrumental music works present a sound effect of electronic music.In this paper,the cello concerto(2004)is the object of the study,because it represents the basic creation characteristics of haas since the 1990 s.The connotation of music shows the spirit of anti-war anti-fascist.On the genre or is he one of the few concerto-solo instrumental music and orchestral music techniques on the exploration and the innovation of music language make the film has a special status in the haas creation,is the one of the mature stage.This thesis is divided into six parts:The first part: the life of haas,the creation background,creation idea and the first performance of the cello concerto.The second part: structural thinking and its performance characteristics.The third part: the evolution of the pitch material and the sound of the cannon.Part four: polyphonic texture and its rhythm organization.The fifth part: the acoustic technique and its layout.The sixth part: this work is anti-war fascist spirit inside.