The Research On Stone Image And Cultural Implication In Song Poems

The research object of this paper is "stone" in Song Dynasty poetry.The paper makes an in-depth analysis from four aspects and strives to illustrate the unique cultural connotation of the stone imagery in Song Dynasty poetry,the exquisite life of literati and their broad spiritual world.As well as under the changes of the times and political situation,the literati expressed strong feelings of saving the country and compatriots.First of all,the article establishes a research object through a large number of statistical data,and thus classifies and generalizes the stone imagery in Song poetry.The first chapter summarizes the general situation of the pre-Stone culture of the Song Dynasty,especially the representation of the stone image in the Tang Dynasty poetry.Through a large number of statistical analysis of Song-man articles that recorded with stone,this paper presents the phenomenon of the flourishing of the Song Dynasty stone culture and the people's love of the stone,and analyzes the related reasons.The second chapter shows the close relationship between the literati and stone in Song poetry.Taking the naming,acquisition and elegant interest as examples,the chapter discusses the behavior and performance of the obsessed stone of the Song Dynasty,which not only presents the Song people's daily life but also explores their Spiritual world.The third chapter studies the cultural implication of stone images in Song poetry.Through the study of Song Dynasty literati to communicate with poetry,the imperial examinations and the phenomenon of secularization of monks,the paper studies the representation and projection of Song culture in the writing of stone images.And taking Su Shi's poetry as an example,analyzes the emotional connotation that he loves in stone and reconciles the gap between the ideal and the reality through the writing of concrete tangible stone and unreal dream.The analysis of Zeng Ji reflects the complicated inner world of poets when the scholars were swept away in the early Southern Song Dynasty,it shows the great impact of traditional scholars facing the demise of the country and the choices they had made for their survival and spiritual habitat.It is also a general reflection of the entire society after the Southern Song Dynasty.The fourth chapter is the summarizing exposition,which analyzes the uniqueness of the stone images in the writing of the literati in the Song Dynasty,especially the changes of the scholars' mentality of the Southern Song Dynasty.First of all,in the early Song Dynasty the change of the pattern of the times made the poet's mental outlook a new one.In the writing of stone images,it showed a strong sense of social responsibility and historical mission.Huizong's obsession with the stone had pushed the society's love of stone to the peak,his unique artistic vision added to the development of stone culture.At the time of the Southern Song Dynasty,it was a matter of course that there was a collection of mass spectral sets in Yunlin Stone Spectrum.In poetry,the changes of the times are reflected in both poetic and vivid,as well as real and specific.In the writing of stone images,the works of Southern Song poets beared a deep era mark.They still liked to enjoy playing the stone,which is considered as elegant style,they even thought that stone can replace the mountain and subjectively adjusted the position of the stone and the mountain.However,the Southern Song poets paid more attention to the suffering of the people.When they inherited the critical writing style of the Northern Song Dynasty poets,they profoundly criticized the catastrophic destruction of the lower-level people's lives brought about by the high-level preference stones.The poets collectively criticized Huizong's love-for-stone behavior which caused harm to the country,which was full of deep patriotism.Under such circumstances,stones were inevitably victims of innocence.natural creatures have become the scourge of the country.To the fall of the Southern Song Dynasty,there were still “rock demons” running rampant.What needs to be mentioned was that after the rise of Neo-Confucianism,the Song people's thoughts were more rational and objective.They understood that it was the villain who confiscated the king and harmed the country not the stone.Finally,taking Lu You's as an example,it reveals the contradictory mentality of the“leisure” and “ambition” of insightful people and the choice of sticking to their heart in the current situation...