Qiu Shiming's Investigation And Research On Chinese Painting Teaching,thought And Creation In The New China Period

This paper tries to make a comprehensive study on the teaching,thinking and creation of qiu shi in the period of northwest art and Inner Mongolia.The time span is mainly from 1951 to 1970.At the beginning of the founding of new China,the traditional Chinese painting is not completed well given by the new regime of literature and art serve for national construction and political needs,especially the landscape painting and flower and-bird painting is regarded as "useless",traditional Chinese painting and Chinese painting painters of the object be transformed.In this particular historical background,qiu shi went to the northwest and began his country painting pioneer journey.In the northwest YiZhuan,Inner Mongolia in the course of a normal college nearly 20 years,no matter in terms of teaching,ideological,or writing,he alone do not lean on,a hold on the campaign of the fine tradition of Chinese painting,hard work,in the northwest arid land sow the seeds of Chinese painting.Northwest YiZhuan has a "red" revolutionary tradition,Qiu Shiming as coming from old intellectuals and all of this like a square peg in a round hole,he also failed to get in professional specialty into full play,but still for fine arts has trained many excellent talents,such as water,hochiminh,shao of the day your virtue,zhong-qiu zhang,chu-cheng huang,Li Xiqin,Zhang Pusheng and others,they are in the field of art research and creative achievement.Qiu Shiming in Inner Mongolia normal university has a lot to improve treatment and working environment,role play more fully,due to the lack of Chinese painting education in Inner Mongolia,Inner Mongolia college education of Chinese painting in the landscape and flowers and birds in a blank state,Qiu Shiming assume teaching task,not only will the Beijing Hu Wei Joe to introduce students to the Inner Mongolia college of complement of teachers,to fill the gaps in landscape painting aspect without teachers.In Inner Mongolia not only teachers out of the famous critics,curators,jia the ark,a famous painter,cultural leadership,writers,such as liu dawei,bao-ping liu,Hu Bo,Zheng Jian,Gao Renkuan,Cheng Xuguang,Liang Lidong,Xiong Yiran,Xia Gui mei et al,but also in Inner Mongolia in various cities and counties(au)with his disciples and disciple of these people and graduated from the Beijing MeiZhuan old students to a considerable extent and quite a period of time,dominated the whole Inner Mongolia art education and the traditional Chinese painting creation,influence is extremely profound.In a word,the popularization of Chinese painting in shaanxi and Inner Mongolia,the development of education and the cultivation and level of creative talents have made an irreplaceable contribution,which is of historical significance.