Regression And Transcendence

?Tenth Symphony?is Shostakovich experienced Soviet literary and artistic policy change four times,Stalin died suddenly,literary policy gradually thaw after the creation of the first symphony,bring the huge influence of Soviet literary creation changes policy stage of Shostakovich,along with the continuous change of the policy,Shostakovich also produced corresponding changes in the composition of the literature and art policy the style,this paper mainly explores the catalysis of politics on art,and the characteristics of ?Tenth Symphony?in Shostakovich's symphonic works as the set in the wind on the grid,?Tenth Symphony?in the literary policy back to the enlightened period,by the hurricane motion effect of the ?Fourth Symphony? in the style of creation,expression of emotion.Beyond the creation in the most severe period of the policy the most gloomy about death,understand The most profound ?Ninth Symphony?.The first chapter is the influence of Soviet Union literary policy in four stages on the changes of Shostakovich's creation,to discuss the influence of composer's creation in symphony of different policies,and this reflects the "return" and "beyond" the political background of the arrangement and discussion,the second chapter is the artistic features of Shostakovich symphony in different periods,this a chapter each period composer in different policy Symphony were compared,which reflects the characteristics of ?Tenth Symphony ? master,the third chapter analyzes the "Tenth Symphony" of music education,is the core of this paper,is the analysis of music,a comprehensive and detailed analysis of the "Tenth Symphony",and "the Tenth Symphony" and different period works detailed comparison,thus infer a conclusion.The fourth chapter is the aesthetic tragedy embodied in the Tenth Symphony,and uses aesthetic principles to interpret the Tenth Symphony in different angles.The fifth chapter is the conclusion.