On Liao Yimei's Dramatic Language Features

Liao Yimei is a representative figure of Chinese avant-garde drama and a female playwright who has received much attention in recent years.Her "Rhinoceros in Love" created a strong response from the audience after her debut in 1999.In 2005 and 2010,she wrote "Amber" and "Soft" respectively.These three works were collectively called "Pessimism Trilogy",which is a masterpiece of avant-garde drama,also known by the audience as a new era of "the Bible of Love".To this day,these three works continue to be touring in major cities in the country,they are almost full of venues.Based on pessimistic love Liao Yimei's dramatic works has won the pursuit of young audiences and created a pioneering drama by using sharp and playful language to subvert way of theatrical creation.This article takes "Pessimism Trilogy" as the research object and discusses the style features of Liao Yimei's dramatic language.First of all,it starts from the change of Liao Yimei's drama language style of the "Pessimistic Trilogy" and reveals the origin of his pessimistic drama language style.Second,according to the text of the drama works,Liao Yimei's dramatic works is different from the features of traditional language from the three aspects of individualized language style,unique rhetoric,ritual sense and carnivalization Third,we can explain the core of pessimism and the starting point of creation in his drama works from the two aspects of characters and setting plots.On this basis,it reflects on the current situation of Chinese avant-garde drama and looks forward to its future.