Research On Thematic Expressions And Narrative Types Of Chinese And Korean Films

Youth is a timeless topic.Looking at China and foreign countries,young people in historical changes have always been the trend of the times.In the history of cinema in the past 100 years,many classic youth images are still talked about today.In the world pedigree of youth films,many movie masters are left behind.From Ingmar Bergman to Nicolas Ray,from Francois Truffle to Oshima,from Iwai Shunji to Kim Kidd,from Hou Hsiao-hsien to Jia Zhangke...Almost all grand master directors have photographed at least one Youth film.As the leader of Asian film,Korean film is not as famous as its social subject and family ethics film in the field of youth film creation.However,compared to the present situation where the body is large,it is plunged into an artistically developed film in mainland China.It is still worthy of study and reference.This article attempts to compare the youth films since the 1990s with themes and narratives in order to analyze their specificity for reference in subsequent studies.Specifically speaking,the general framework of this article is as follows:It is divided into five parts.The first part is the introduction.It mainly discusses the reasons for the selection of topics,a summary of research status,research methods,the significance and value of the topics selected;the second part summarizes the predecessors for the youth film.The concept is defined and based on this,my definition is given.At the same time,the development history of youth films in the two places is roughly combed and summarized from the perspective of film history.The third part mainly analyzes the artistic features of youth films in the two places respectively.The fourth part compares and discusses the youth film of China and Korea from the narrative skills of the youth film.The fifth part is the conclusion,which briefly discusses and prospects the development trend and prospect of the youth film in mainland China.