On The Female Images In Liu Qingbang's Novels

Among Henan writers,Liu Qingbang is a unique representative.He is a high-yield writer of short stories and is known as the "short story king." Liu Qingbang's novels have a close relationship with his life experience.Whether it is a village-themed novel or a city-themed novel,he is silently watching the living conditions of the bottom-level people.No matter where he is,in the process of exploring the underlying life body,he pays more attention to women's life appeal.This article takes the way of perusing Liu Qingbang's works,using his short stories as the main research object,and also discusses long articles.The first chapter combs the female image written by Liu Qingbang and explores his creative style through his growing experience.The second chapter takes the traditional women nourished by the country and the women who “go to the city” as aesthetic objects.The women under the country's moisture are divided into two categories: the "daughter's home" that is pure to the United States,and the mother who is the capital of the human capital.Liu Qingbang has created an ideal living space through the image of rural women.Liu Qingbang has complex emotions in the face of women who have left the country to “go to the city.” His subjective emotions do not hope that native women will leave the country and walk into the city,but they are trying to find a mild way for them to enter the city.The third chapter mainly discusses the tragic writing of Liu Qingbang's bottom women's destiny.Through the author's attention to the tragic characters,this article discusses the writer's concern and sympathy for people living in the bottom of society.Generally speaking,Liu Qingbang always holds a beauty appreciation heart to shape females,but the cruelty of reality often harasses and tortures his favorite women.Therefore,when writing women,Liu Qingbang often harbors a kind of ambivalence and wants to build them all.Cheng Mei's incarnation,but the reality destroys them and makes them unable to become spokesmen for the United States.Liu Qingbang's ambivalence is inextricably linked with his own growth experience.It is the self-sacrifice of the mother and sister that succeeded Liu Qingbang.He often writes them with ambiguous feelings,and ordinary people have great brilliance in Liu Qingbang's eyes.Image.No matter where he is,Liu Qingbang pays close attention to women's living conditions,cares for women living in the cities,and often returns to the original women living in memory.In Liu Qingbang's novels,he unknowingly created a “daughter country” of his own.He loves the memory of native women and sympathizes with and criticizes rural women who “go to the city”.The narrative mode of the original rural woman is a narrative mode of the author.Liu Qingbang,who is in the middle of the city,finds it hard to find a sentimental point in the city and puts his emotions on the women of the original village.Liu Qingbang's extreme concern for women has provided him with abundant emotional power,but it has also led to a constant repetition of his own situation in the creative process.This is a new kind of self-challenging that Liu Qingbang faces.Liu Qingbang's self-repetition is the result of repeated and superimposing of the writer's memory.The repetition contains the meaning of emphasizing.However,as a mature writer,it is very dangerous to repeat themselves constantly.