The Application Of Soprano Voice In Opera Singing And The Practice Of Drama Characters

In nineteenth Century,both the genre and the number of works of French opera showed a trend of vigorous development.In this period,Massenet's opera "Werther" has also received extensive attention in this period,which has a great influence on later generations.The works are based on the vexation of Goethe's epistolary novel,"the teenager Werther".This literary work makes Goethe a great reputation,and the opera "Werther" has become a bright pearl in the creation of the French "Lyric" opera.And Massenet,with graceful melody and rich colourful orchestration,makes the heroine's psychological activity like a narrative poem,and it also has the title of "the poet of the soul of women".In the role of arranging the role,he also had a remarkable place.He expressed the gentle,weak and dramatic emotional changes of Charlotte's character with the tone of the lyric female,and the shaping of Charlotte's role was a few positive female images of the female role in nineteenth Century.Massenet portrayed Charlotte's image and state of mind by few scenes.This article,taking this opera as an object of inquiry,analyzes and interprets the origin of the female and the mezzo's development in France in nineteenth Century,the medical and tone features of the mezzo voice,the range of the mezzo sound and the type of the voice,and also gives a detailed introduction to the composer Massenet,the creation background and the synopsis of the opera "Werther",so that the following chapter will be used in this article.The main purpose of the study was Charlotte,which included role analysis,character introduction,changes in the image in the development of the plot,and the reasons for the role of the sound part of the female.Finally,the three arias in the opera "Werther" was combined with his own singing to carry out the analysis of the music noumenon.In order to get the influence of the soprano timbre on Charlotte's image building.