Study On The Chen Yongquan's Opear Adaptation Of Literary Classics

Chen Yongquan's drama creation are varied in style,free from style and free from control.Among its many creative dramas,one theme is exclusive,that is,opera adaptation to literary classics.In the whole environment of the whole great environment,Chen Yongquan's eyes are in the atmosphere of modern and modern.It is full of the universal connotations of the classics with a global perspective,to realize the modernistic transformation of the literary classics,to extract the emotional appeal and value orientation in the general sense of mankind,to sing the domestic stage for the Henan Opera and to enter the domestic stage.It opens the path to the global cultural vision.This paper,taking Chen Yongquan's dramas of literary classics as an object of study,uses a variety of methods such as text reading and stage appreciation,combined with the present overall drama ecology,carries out a horizontal analysis of the adaptation of Chen Yongquan's dramas,and combs and grasps the achievements and shortcomings of his adaptation to the classical opera.At the same time,a fair assessment of its contribution and influence in the development of contemporary Henan Opera and Chinese opera,and to reflect on the common shortcomings in the present drama creation,in order to explore the way and method of modern adaptation of literary classics.The main body of this paper consists of four chapters,which are summarized as follows:The first chapter is about the motivation to inherit excellent traditional culture and focus on the present consciousness of innovation.Starting with the adaptation idea of "Keeping the integrity,Consolidating basis and striving for change" proposed by Chen Yongquan,this paper analyzes the adaptation motivation and creative thinking of the adaptation of the drama under the guidance of this creative idea,which is establish the framework and path for the full text.The second chapter,from the look up,the flat view to the overlook of the "three steps" literary classics opera adaptation concept.Based on the adaptation practice of Chen Yongquan,from the three perspectives of elevation,flatness and overlooking,this paper analyzes the rational and scientific points of Chen Yongquan's creative method,and treats literary classics as neither despising nor blind worship,and dialogues with classics on the basis of respecting classics,and then standing at the height of the times,we should boldly innovate and realize the modern transformation of literary classics.The third chapter,an adaptation of literary and dramatic integration.Literary classics are the peak works of literature,and literariness is their need,while drama as stage art pays more attention to the theatrical drama on the field,and the drama is the key to the success of the stage.Therefore,Chen Yongquan is good at exploring the drama of literary classics from the aspects of the connotation of the theme,the extension of the tension of tragedies,the setting of dramatic plot structure,and the characterization of characters,so as to achieve the integration of the two forms of art.The fourth chapter,the problems in the adaptation and the enlightenment to the contemporary drama creation.Chen Yongquan's success in the adaptation of Literary Classical Opera has not only provided a successful reference and theoretical reference for contemporary Henan Opera and even Chinese opera,but also has a strong practical significance.While fully affirming its achievements,it should also rationally treat its shortcomings and shortcomings in its classic adaptation,such as the strong sense of enlightenment,the weak reality foundation and the flat treatment of the characters,and so on,the author has carried out a rational analysis to evaluate its gain and loss,in order to provide a literary classic adaptation of the opera.Reference.